Parasound Ships its Much-Anticipated Halo C 1 A/V Controller

Parasound has announced that it will begin shipments this week of its highly anticipated Halo C1 audio/video controller.

The Halo C1 and its sibling model, the already-available Halo C 2, allow audiophiles to control their acoustic environment in ways never before possible with consumer products. These reference-grade components are THX Ultra2-certified multichannel A/V controllers that use the world’s most sophisticated DSP engine to deliver previously unattainable levels of performance and control, while remaining exceptionally easy to set up and operate. They also have four programmable output channels that take surround sound beyond the boundaries of conventional 7.1 channel systems.

“The Halo C 1 & C 2 expand the boundaries of 7.1-channel technology for audio and video enthusiasts, while providing automated configuration and outstanding ease-of-use for custom installers,” said Richard Schram, president, Parasound Products.

For the creative audiophile, the Halo models’ four additional channels provide remarkable opportunities to fine-tune the sound of the system in ways not possible with the current generation of controllers.

The programmable outputs consist of

  • (1) a second Subwoofer/LFE channel
  • (2) a sub-20 Hz LFE bass channel to drive a tactile transducer “room shaker”
  • (3 & 4) two completely customizable output channels

Each programmable channel has independent adjustments to mix its content from any or all of the eight main channels, plus adjustments for level and time-delay, and controls for high- and low-pass filters. Some possible configurations of these channels are for true stereo subwoofers, a dedicated rear-channel subwoofer, additional front or surround channels, mid-ceiling speakers for improved front-rear pans and improved spatial ambience, or mono channels for single speakers in adjacent rooms.

The Halo C 1’s most noticeable feature is a 5-inch front-panel video monitor that can duplicate the program and/or on-screen display on the component’s face plate. Both the Halo C 1 and C 2 provide the complete “alphabet” of all the latest state-of the-art surround processing modes, while future processing modes will be available via an upgradeable processor and software. An RS-232 port is provided to interface with a home automation system or a Windows PC for set-up, control, and processor upgrades. Available Parasound HaloControl™ software allows the user or custom installer to manage all the set-up and control functions, and to backup user settings. Custom installers will also appreciate the easy and effective automatic channel calibration process performed with an included microphone.

Other features include professional-grade balanced XLR audio and BNC video connections, two remote controls, and multi-zone capability. Except for the video monitor, slightly fewer connections, and some differences in the power supply, the smaller Halo C 2’s provides the same sonic and video prowess as the C 1.

“Three years ago we asked a team of designers in the US, Finland and Norway to create an instrument of such exquisite refinement that it would truly be in a class by itself,” said Parasound’s president, Richard Schram.

“The result has surpassed even my highest expectations, and it will have great appeal both to custom installers, who want to get the system running right and get it done fast, and to audiophiles and home theater enthusiasts, who want to fine-tune their systems to within the last fraction of sonic perfection.”

The Halo by Parasound C 1 and C 2 Audio/Video Controllers have suggested retail prices of $6,000 and $4,000, respectively.

Parasound Web Site

Eventide Reinvents History With Launch of Clockworks Legacy Plug-Ins for Digidesign Protools HD Platform

In a move that makes some of music production’s most sought-after audio effects available to a much wider base of musicians and engineers, Eventide has jumped into the software plug-in processor market.

The new Clockworks Legacy series of plug-ins, to be available for Digidesign’s ProTools HD platform, recreates the legendary sounds of several of Eventide’s classic outboard processors, including the H910, Omnipressor®, Instant Phaser™, Instant Flanger™ and H949.

Tony Agnello, Eventide chief technology officer, says his company’s decison to port these classic algorithms to the desktop was an idea whose time had finally come.

“We’ve been receiving requests for Eventide plug-ins for some time, but we were concerned that the current crop of desktop platforms wouldn’t be capable of supporting our algorithms and the high quality threshold our hardware has set over the past three decades,” Agnello said at the launch during the Winter NAMM show in Anaheim.

“With the release of ProTools HD, our concerns were vanquished. With the proven quality and reliability of this platform, were confident that it was the best avenue for designing our first plug-ins, Eventide Clockworks Legacy™.”

The new series of five plug-ins bring a heritage of Eventide innovation and quality to the desktop environment. This series features the five key products that were made at the Eventide Clockworks facility on 54th Street in Manhattan.

The Omnipressor, which was introduced in 1971 and was available through 1984, was an analog compressor with an attitude. This unit uniquely offered simultaneous compression above the threshold point and expansion below and made its way onto hundreds of signature recordings of the seventies and eighties. Queen’s Brian May was a very early customer and it quickly became a part of his signature guitar sound.

The Instant Phaser, also introduced in 1971 sold through 1977, was a single-function analog processor with a sweeping filter bank with two outputs that are 180 degrees out of phase from each other. Members of Led Zeppelin were so impressed, they even agreed to endorse it. Take a close listen to “Kashmir,” you will hear the unmistakable sound of the Instant Phaser.

The H910, Eventide’s first Harmonizer® brand effects processor, was immediately recognized by the music world as a milestone product when it was introduced in 1975 and sold through 1984. Tony Visconti was among the early devotees, using it to create the unique snare sound on David Bowie’s “Young Americans,” “Low” and “Lodger.”

The Instant Flanger an analog flanger, was first released in 1976 and sold though 1984. It replicated the effect of two open reel tape recorders with identical material. When the tape flange was accidentally touched, the sound of a plane taking off roared through the speakers. The Instant Flanger was one of the first hardware products to recreate this effect electronically and was widely used on hit records thoughout the seventies and eighties.

The H949 was the first “deglitched” pitch changer. Introduced in 1977 and sold through 1984, the H949 was the only piece of digital gear Jimmy Page allowed in his rig. It became a staple in most successful studios of the time and is considered by many leading producers and artists to have immeasurably influenced that era’s music.

The process of porting over the algorithms has been executed with meticulous dedication to quality, according to Agnello. “The value in the Clockworks Legacy plug-ins is that they replicate the quality, versatility and functionality of our orignal dedicated processors,” he explains. “We recognize that any departure from those sounds would be fatal.”

Agnello also stresses that Eventide will continue to design and manfacture dedicated hardware processors. “Though ProTools HD has become the platform of choice in many high-end music and post production faclilties, we believe there is still a compelling case for making hardware products. Hardware products can be integral to the process of performance and composition and are increasingly used in tracking because the real time feedback between the performer and the effects changes their approach. It is a critical interactive process that is often forgotten.”

“Our core knowledge consists of well over a thousand preset algorithms, made up of over two hundred effects modules which can be arranged in virtually any configuration using our unique ‘Anything-to-Anything’ routing capabilities. This will be cross-developed for future plug-ins, as well as offered as software upgrades for our hardware. It makes good sense that people producting their release using Eventide plug-ins would want to use the same effects in a hardware box when they go on the road” states Agnello.

“Developing plug-ins was not a move we made lightly,” Agnello concludes, “but we’re extremely pleased with the results and I’m confident that the universe of ProTools users will agree. We are moving full force into the plug-in arena with a strong foundation of success among the most discerning professionals. The stakes are high, but we are confident that we bring a lot to the table.”

The Eventide Clockworks Legacy series of plug-ins offer full automation, MIDI Control, and Pro Control integration to take advantage of the ProTools feature set.

Company Web Site

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Rockford Fosgate Omnifi

“Simply explained,” says Gary Suttle of Rockford, “Omnifi uses the popular Wi-Fi home-networking technology to stream digital music from the PC to the home stereo and to deliver digital music and information to a hard-drive based entertainment system in the car.”

Winner of an Innovations 2003 Design and Engineering Award and Mobile Audio Best of Honoree Award at CES 2003. Available April 2003 at a suggested retail price of $599 (US).

More on Omnifi

Rockford Fosgate Web Site

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Silverline Grande La Folia

"An uncompromising design utilizing only the finest parts available"

The Grande La Folia is an upscale re-working of Silverline’s acclaimed La Folia speaker. It is an uncompromising design utilizing only the finest parts available. The superior drivers employing humongous hexagonal wound voice coils assure high power handling while revealing highly refined music timbres and shadings. The thickness of the cabinet ranges from 2″ to 3″ and heavily embraced. The extremely rigid hexagonal enclosure helps to eliminate unwanted internal resonance while the minimum baffle surface is optimized for superior imaging and soundstaging.

Available now, suggested retail price $28,000 (US) per pair.

* Design ( Woofers Rear Ported) : 3-way, 7 drivers
* Drivers: (Supplied by Dynaudio™)
* One T330D Esotar 1.25″ soft dome tweeter
* Two D76AF soft dome midrange with 3″ voice coil
* Four 24W100X long-throw 9″ woofers with 4″ voice coil
* Frequency Response : 25 Hz – 32 kHz (+/-) 3 dB
* Sensitivity : 93 dB
* Nominal Impedance : 8 ohms
* Crossover Frequency : 1.8 kHz/3.5 kHz
* Recommended Power : 12 to 2,000 watts

Silverline Web Site

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Pyramat PM300 Surround Audio Furniture Lounger

"A hip, fresh, trend-setting, sound-infused seating option like no other available on the furniture market today"

The Pyramat Interactive PM300 is a 3-speaker lounging system (soft, comfy furniture) designed to enhance your gaming experience, but also a good bet for listening to music from your home theater, stereo system, MP3 or CD portable player. The bass will shock you as the side speakers rock you. The powerful 4″ woofer vibrates with game play and the side speakers create an encompassing sound field. Thick foam padding provides extra support for extended play.

Winner of Tech TV’s Best of CES Award in the Gaming category. Available now, $149.99 (US).

Pyramat Web Site

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