Majority of Americans Oppose Music Industry Lawsuits Against Internet Music Downloaders, Says New FindLaw Survey

A majority of Americans say the music industry should not sue people who illegally download music off the Internet, according to a new poll by the legal Web site FindLaw. Still, legal experts say the industry’s suits have legal merit and urge consumers to be aware of copyright laws and their legal rights before downloading from any Web site.

The Recording Industry Association of America, which represents the major recording companies, filed copyright infringement suits last week against 482 people in St. Louis, Denver, New Jersey and Washington, D.C., who allegedly downloaded music illegally from the Internet. Since last September, more than 3,400 people have been sued by the recording industry for damages of up to half a million dollars each. At least 600 of those cases have been settled for approximately $3,000 each. None of the cases has yet gone to trial.

According to the national survey by FindLaw, 56 percent of American adults oppose the lawsuits. Thirty-seven percent support the industry’s legal actions. Seven percent of those surveyed had no opinion. One thousand adults were surveyed, with results accurate plus or minus three percent.

“Although the RIAA’s lawsuits are unsettling to many, they are based upon sound law because it is a clear violation of copyright law to make a verbatim copy of a protected sound recording,” says Prof. Sharon Sandeen, who teaches intellectual property law at the Hamline University School of Law in St. Paul, Minn. “The underlying public policy at work is the notion that without copyright laws, musical artists would be less inclined to create music and, as a result, there would be fewer sound recordings. So the individuals who complain about the lawsuits should ask themselves: ‘Would I rather live in a world with freely distributed but less music, or pay for the music I enjoy so that there will be more of it?'”

“I suspect that many people, when educated about the purpose of copyright law, support the law,” Sandeen continued. “Public opposition to the lawsuits may be due, in part, to what some people consider hard-handed tactics by the RIAA.”

The survey found that opposition to music industry lawsuits was much higher among younger people. Nearly two-thirds of those between the ages of 18 and 34 said the music industry should not sue people who illegally download music. Many of the people who have been sued are college or high school students and their parents. The RIAA has been pressuring colleges and universities to limit students’ ability to download large files through campus computer networks. Opposition to the lawsuits was also higher among people with lower incomes.

Legal actions to combat illegal music downloading may increase. Senator Orrin Hatch, chairman of the Senate Judiciary Committee, recently introduced legislation that would allow artists to sue the makers of file-sharing software used to illegally download music.

“In the end, there is no such thing as cost-free music downloading,” says Professor Marci Hamilton at Yeshiva University’s Benjamin N. Cardozo School of Law. “The freewheeling early years of the Internet led adults and teenagers alike to believe that whatever came across their computer screen could be and ought to be downloaded cost-free. In many ways, downloading is like shoplifting: an exciting and slightly risky diversion, a seemingly petty vice in an otherwise law-abiding life. But like shoplifting, illegal music downloading violates the law and exacts a cost on society.”

Consumers concerned about their rights can find the latest music industry lawsuits, copyright laws, analysis by legal experts and a searchable directory on lawyers specializing in the Internet and copyright law at a special section of FindLaw, the leading legal Web site.

FindLaw Web Site

Waves MiniWoofer Provides Subwoofer Quality Sound at a Fraction of The Size

Waves, the audio technology company known for its professional signal processing software and plugins, is demonstrating revolutionary new technology for the consumer market at CES.

Waves’ MaxxBass technology dramatically shrinks the size of a traditional subwoofer without sacrificing sound quality. At CES, Waves is demonstrating its Home MiniWoofer(TM), which uses MaxxBass processing to deliver rich deep bass response in a 7-inch cube weighing less than six pounds.

Patented Audio Processing Technology Delivers New Applications

The MiniWoofer can also be designed in a variety of forms ranging from a small subwoofer that fits under a car seat or on a door panel, to a three-inch thick flat panel subwoofer that can hang on a wall under a plasma TV. The difference in sound quality that consumers will hear is tremendous, as bass frequencies are what carry most of the emotional impact in music, movies, and games.

The Home MiniWoofer is also an ideal alternative to a complete 5.1 home theater system, where consumers don’t wish to dedicate the space or deal with the complexity of installation or more remote controls. It is simple to connect the Home MiniWoofer with stereo TVs, DVD players, and cable/satellite set-top devices.

“The MiniWoofer enables subwoofer performance levels in a wide range of applications where traditional subwoofers are considered too large, unsightly, or expensive,” said Gilad Keren, President and CEO of Waves. “Imagine if you could get subwoofer quality sound from your car stereo, portable CD player, or home video games without needing a big, heavy subwoofer. The MaxxBass technology that the MiniWoofer is based on makes that possible, and we are now seeing many major consumer electronics manufacturers beginning to embed this technology in their products.”

Leading Consumer Electronics Manufacturers License MaxxBass

Waves MaxxBass technology has already been sold or licensed to a number of leading consumer manufacturers including Altec Lansing, Directed Electronics, Microsoft, Samsung, Sanyo, and Sony. Reducing the size reduces the cost as well since a smaller product requires less power and fewer materials to make. The MiniWoofer consumes 50 percent less power than a traditional subwoofer while providing the same rich, deep bass sound.

Not a Bass Boost Technology

MaxxBass works by extending the lower end of bass frequency response up to one-and-a-half octaves without distortion, delivering deeper, richer, more natural bass. MaxxBass is not a bass boost technology, but instead utilizes a Waves patented psychoacoustic phenomenon called the Missing Fundamental effect, which takes advantage of the way the ear and mind are wired to improve the quality of sound perceived. MaxxBass generates a precise harmonic content so your ear believes it is hearing lower frequency sounds than are physically present.

Generating loud and low bass is the most difficult and costly goal in loudspeaker design. The laws of physics require large speaker enclosures and high power to generate loud and deep bass.

Unlike other technologies, MaxxBass simultaneously allows the system efficiency to be improved, reducing amplifier cost and/or increasing maximum volume levels. The combination of lower material costs, less expensive amplifiers, and reduced shipping is estimated save manufacturers more than 50% on a mass market home theater style subwoofer.

WAVES Web Site

MaxxBass Web Site

More Than 200 Million Consumer Electronics Products Sold Worldwide Feature DTS Surround Sound Technology

DTS (Digital Theater Systems, Inc.) has reached a rather impressive milestone. More than 200 million consumer electronics products have been shipped worldwide containing DTS-licensed technology or intellectual property.

The count of DTS-licensed products includes DVD players, receivers, amplifiers, pre-amps, video game consoles, car audio processors and head units, PC-based software decoders and 5.1-channel speaker systems for the PC.

Unit sales of consumer electronics products with DTS technology reached just 3,000 units in 1994, its first year of availability. The number soared to 100 million units annually, as of August 2002. More than 200 consumer electronics manufacturers worldwide license DTS technology today.

“The number of DTS-licensed products now exceeds 200 million, which attests to the appeal of DTS technology and brand amongst consumers and consumer electronics manufacturers alike,” comments Jon Kirchner, president and CEO of DTS.

“The fact that we have reached this milestone at the same time we’re celebrating DTS’ ten-year anniversary also underscores our increasing establishment in the industry.”

In addition to consumer electronics products, DTS licenses its technology to the pro audio industry, and distributes its own encoder/decoder units via a global dealer network. DTS-encoded audio is available on thousands of DVD-Video and DVD-Audio titles, on the company’s own DTS Entertainment-branded 5.1 Music and DVD-Audio discs, as well as on video games for Sony’s PlayStation(R)2 gaming console.

DTS is an innovator in the development of multi-channel digital sound technology for the consumer electronics and professional audio markets, including home A/V, video games and consoles, broadcast, personal computers and mobile and portable audio systems. Today, every major consumer electronics manufacturer supports DTS technology. DTS also offers hardware and software encoders to the professional audio communities, allowing them to produce DTS audio content directly.

DTS decoders are in virtually every major brand of 5.1-channel surround processors, and DTS sound is featured on more than 20,000 motion picture screens worldwide.

DTS Web Site

Barix Exstreamer Home Network Audio Interfaces Go High-End With Digital I/O and Infrared at CEDIA

Swiss maker Barix is adding “pro” quality interfaces to its line of home audio networking devices that use Ethernet to move streaming audio (MP3, Internet radio, and now uncompressed, full-resolution audio as well) between home audio systems and computers or Internet connections.

At CEDIA 2003 in Indianapolis (Sept. 3-7, 2003), Barix and North American distributor Grid Connect will be announcing and demonstrating the new Exstreamer Digital Professional ($425 US) and Instreamer Digital Input Professional ($425 US) interfaces.

The new models add high-quality audio capabilities to the compelling features already provided by the basic Exstreamer ($179 US) and Exstreamer Wireless ($299 US) network players.

The general idea with all of the Barix players is that they use standard computer networking technology – Ethernet at 10/100 Mbps for wired devices, and 802.11b protocol for wireless – to distribute audio from computer file and Internet streaming sources, via standard stereo audio connections to consumer electronics equipment.

You connect the Exstreamer to an Ethernet network, access it via a Web browser anywhere on the network (or even a remote location on the Internet), then control digital audio files or Internet audio streams from anywhere on the connected network.

You can use multiple Exstreamer devices to inject audio into home entertainment systems throughout your home or office location, in any room with a network connection.

While the original Exstreamer model provides RCA jack and headphone outputs, the new Exstreamer Digital Professional MP3 and Streaming Music player adds stereo digital S/PDIF outs via both TOSlink optical connector and RCA jack.

The new model also provides IR remote control features, even functioning as a bidirectional transparent infrared gateway with an optional stick-on transmitter.

The advanced, high-end features make the Exstreamer Digital ideal for use by professional home installers, who can now handle just about any customer requirement when setting up a distributed audio system. It can be controlled by Web-connected pads and PDAs, in addition to computers, or simply by an IR remote control. With serial and Ethernet control API’s, the device can be managed from typical home automation systems. Software developers can even develop custom audio applications using one of the well-documented Ethernet, serial or Web-based interfaces.

A typical application will be in multi-room distributed audio systems. Thanks to its audio synchronisation capability, digital audio distribution to large halls or rooms with interconnecting, open doors or gates is now possible and easy to implement.

Average home users will also find Exstreamer devices are easy to install, thanks to their unique SonicIP and IPzator features: after power-up, the device will speak it’s own IP address to the audio port!

The new Instreamer Digital Input Professional shares similar technology and control features, but moves audio in the opposite direction – from the home audio system, into the computer streaming out to the Internet. Audio from stereo systems, tape players, tuners, microphones, or other sources can stream audio onto the network.

The Instreamer’s audio connections include Line In (RCA, 2Vpp max level) and S/PDIF In (TOSlink optical and RCA), instead of outputs. It converts analog and digital audio into MP3 streams, and serves it to the connected network just like an ordinary Internet radio station.

Barix Web Site

Exstreamer Web Site

Denon’s New DVD-5900 DVD-Audio + SACD Multichannel Universal Player Dream Machine Due In Stores Soon

Denon USA will follow up the success of its popular DVD-2900 universal/combo DVD-Audio + SACD multichannel player, introduced earlier this year, with the launch later this month (September 2003) of an up-scale model, the DVD-5900 ($2,000 US).

Think of a desirable audio feature, and Denon's new high-end DVD-5900 ($2,000 US) universal multichannel player almost certainly has it covered

Like Denon’s top-of-the-line DVD-9000 player, which handles DVD-Audio but not SACD discs, the new DVD-5900 features a proprietary Denon Link output. Denon Link provides direct digital transfer of multichannel DVD-Audio signals to the similarly-equipped Denon AVR-5803 audio/video controller/receiver.

The DVD-5900 will also sport a proprietary (and defeatable) PCM- and DSD-compatible IEEE-1394 (Firewire) I/O port, featuring Denon’s exclusive new Clock Synchronized System. This port will apparently work with upcoming Denon IEEE-1394-equipped products, to support direct digital transfer of multichannel audio from both DVD-Audio and SACD sources. When switched ‘off’ the ports are ‘Universal Standard,’ according to Denon’s preliminary information.

Audiophile buyers who have been disappointed by the compomised quality of the SACD format’s DSD output (Sony’s proprietary Direct Stream Digital method) from earlier universal multichannel players will be pleased that Denon is using a Sony second-generation CXD-2753 DSD decoder board in the DVD-5900. This means full-resolution SACD output, with no conversion of the DSD bitstream to PCM format.

Pure SACD/DSD output is also supported by 24-bit, 192-kHz PCM/DSD 1790 audio digital-to-analog output convertors (DACs), custom built to Denon specifications by Burr-Brown, that decode both PCM and DSD signals discretely with no down-conversion of DSD.

On the other hand, Denon also allows you to choose to convert the DSD output from SACD discs to DVD-Audio’s PCM bitstream format, in order to take advantage of options that are not supported by DSD: variable bass management crossover points (40/60/80/100/120Hz rather than fixed 100Hz), and adjustable delay time and channel levels.

On the PCM/DVD-Audio side, Denon indicates that DVD-5900 uses the new ESS Vibrato “Chroma Bug Free” DVD-Audio/MPEG decoder.

Like the DVD-2900 before it, the DVD-5900 also offers full digital bass management for both DVD-Audio and SACD output, using dual Analog Devices Melody 100 ‘HammerHead’ processors. This important feature means easy integration (and proper full-range playback) with the vast majority of multichannel audio receivers and controllers that do not apply their own bass management features to multichannel inputs.

The new player also comes loaded with support and decoders for an impressive array of audio formats and standards, including Dolby Digital, DTS Surround, HDCD, MP3, Windows Media Audio (WMA), SRS TruSurround, and something new labeled “AL24 Processing Plus” for all 6 channels.

For the ultimate in audio performance, Denon’s Pure Direct Mode allows you to turn off un-needed portions of the player’s video and audio processing path. Purity is further enhanced by the unit’s 3-box, 5-block internal layout, which isolates analog, digital and video circuits.

Other Features and Specifications

  • Plays Audio/Video CDs; DVD-Audio/Video; Super Audio CD; D+/-R/RW (conditional); Audio CD-R; Audio CD-RW; MP3/WMA CD-R/RW
  • Powered by the latest “DCDi by Faroudja” FLI-2310 Decoding Engine – finest available processing for film, video, graphics or mixed-mode content
  • Adjustable Chroma Delay and Level, White/Black Levels, CCS On/Off controls
  • Dual, discrete, Analog Devices ADV-7310 – 216 MHz, 4:4:4, 12 bit Video D/A Conversion system featuring Noise Shaped Video processing (1 chip each Progressive and Interlace)
  • 8x Oversampling Progressive and 16x Interlace output
  • Wideband relay switched component video outputs
  • Variable Black Level (Setup): 0 and 7.5 IRE
  • Passes below-black (PLUGE) on progressive and interlace outputs
  • (1) DVI-D (HDCP) Output with selectable 480p/720p/1080i output (DVD-Forum has not approved DVI output at this time, so this output will not be functional. Once Forum approved, an upgrade will be made available)
  • (2)Component Video outputs, 1 with Gold BNC connections
  • (2)Composite and (2)”S” Video outputs
  • 2X DVD read speed; 4X CD/CD-R/CD-RW read speed; with 8MB drive buffer memory
  • JPEG photo file viewer, Kodak Picture and Fujicolor CD compatible
  • Anamorphic Scaling for 4:3/16:9 Sets
  • 4:3 Squeeze and Zoom Controls
  • RS-232C and Remote in/out ports
  • Glo-Key remote control
  • Dimensions: 17.1″w x 5.5″h x 17.1″d
  • Weight 27.7 lbs.

Denon USA Home Audio Web Site