Shure Ready to Ship New Beta 54 Headworn Vocal Mic

Shure’s new Beta 54 head-worn vocal mic will make its official industry debut at this year’s Winter NAMM show, opening today in Anaheim, CA. The company says the new mic is ideal for lead and backup vocals within demanding live reinforcement applications.

Prior to its Winter NAMM introduction, the Beta 54 was field-tested by a prominent group of artists and engineers from the touring and broadcast worlds. Many of the beta testers commented that its sound is comparable to that of a handheld microphone and its ambient rejection exceeds that of other competitive offerings.

“The Beta 54 is the best headset I’ve ever used,” country singer LeAnn Rimes says of her ongoing experiences with the mic. “It’s incredible sound and small size are exactly what I was looking for.”

JD DuCrest, Rimes’ monitor engineer adds, “The Beta 54 handles LeAnn’s powerful vocals very well. The sound quality is extremely transparent with a very smooth frequency response.”

Joining Rimes in the beta-testing stages of the Beta 54’s development were Kip Winger, Montgomery Gentry, Jo Dee Messina, Michelle Wright, and Tania Smith (keyboards and backing vocals for Jamie O’Neal).

The Beta 54 comes in both wireless and hard-wired configurations. It’s ultra-lightweight, engineered for comfort and durability onstage. It employs a supercardioid design which delivers premium Beta sound, superior ambient rejection, and maximum gain-before-feedback.

Operable between 20 Hz – 20 kHz, the Beta 54 additionally features a smooth response tailored expressly for vocals that is both warm and natural. Outfitted with a low-output cartridge enabling it to handle extremely high sound pressure levels (149 dB SPL maximum), the mic is offered in black or tan, and comes with a snap-fit windscreen, detachable boom mount, and flexible, fully-adjustable headband.

Shure Web Site

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Mission’s fs1 Ultra-Slim Home Theater Loudspeaker Ensemble Wins CES Award

NXT, the British audio and speech technology company, today announced that the Mission fs1, the ultra-slim home cinema speaker system, has won an International CES Innovations, Design and Engineering Award 2003.

Featuring NXT’s SurfaceSound® technology, the fs1’s home theatre speaker system offers a high-technology, high-style alternative to traditional box-type speaker systems, delivering outstanding sound quality, and fitting easily into any room.

In addition to obvious space-saving advantages, NXT speakers have a number of audio advantages over traditional speaker systems. NXT panels radiate sound more evenly across their frequency range than traditional speakers, thus creating a much wider listening angle or “universal sweet spot.” Additionally, whereas conventional speakers create powerful beams of sound which bounce around the inside of a room combining and colliding to create hot and cold spots, NXT loudspeakers interact much more sympathetically with reflective surfaces and boundaries within a listening area. Finally, NXT speakers also suffer less volume drop off with distance than conventional speakers so listeners close to the speakers aren’t deafened nor those some distance away left straining to hear.

David Marchant, sales director at Mission, said: “Until now, if listeners wanted to experience cinema-like sound in a smaller lounge or bedroom, basically their only option was to clutter up their space with boxy loudspeakers.

“By using NXT flat-panel loudspeaker technology we have been able to solve this problem and come up with the home theatre solution many people have been waiting for.”

The Innovations Awards judge the latest products from consumer technology manufacturers and developers. The Awards, which are judged by a pre-eminent panel of 30 independent industry designers, engineers and journalists, honour the most innovative products in 20 different categories including: Audio, Digital Imaging, Wireless Communications and Satellite Systems.

Mission Web Site

NXT Web Site

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Rockford Fosgate Omnifi

“Simply explained,” says Gary Suttle of Rockford, “Omnifi uses the popular Wi-Fi home-networking technology to stream digital music from the PC to the home stereo and to deliver digital music and information to a hard-drive based entertainment system in the car.”

Winner of an Innovations 2003 Design and Engineering Award and Mobile Audio Best of Honoree Award at CES 2003. Available April 2003 at a suggested retail price of $599 (US).

More on Omnifi

Rockford Fosgate Web Site

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Silverline Grande La Folia

"An uncompromising design utilizing only the finest parts available"

The Grande La Folia is an upscale re-working of Silverline’s acclaimed La Folia speaker. It is an uncompromising design utilizing only the finest parts available. The superior drivers employing humongous hexagonal wound voice coils assure high power handling while revealing highly refined music timbres and shadings. The thickness of the cabinet ranges from 2″ to 3″ and heavily embraced. The extremely rigid hexagonal enclosure helps to eliminate unwanted internal resonance while the minimum baffle surface is optimized for superior imaging and soundstaging.

Available now, suggested retail price $28,000 (US) per pair.

* Design ( Woofers Rear Ported) : 3-way, 7 drivers
* Drivers: (Supplied by Dynaudio™)
* One T330D Esotar 1.25″ soft dome tweeter
* Two D76AF soft dome midrange with 3″ voice coil
* Four 24W100X long-throw 9″ woofers with 4″ voice coil
* Frequency Response : 25 Hz – 32 kHz (+/-) 3 dB
* Sensitivity : 93 dB
* Nominal Impedance : 8 ohms
* Crossover Frequency : 1.8 kHz/3.5 kHz
* Recommended Power : 12 to 2,000 watts

Silverline Web Site

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Naxos Scores Two GRAMMY Nominations, Including Best Engineered Album – Classical

Two acclaimed Naxos recordings received accolades as the nominees for the 45th Annual GRAMMY Awards were announced on January 7, 2003.

Audio engineer John Newton was recognized with a nomination for Best Engineered Album, Classical for his work on a volume of orchestral works by George Whitefield Chadwick. The album includes a selection of Chadwick’s symphonic poems played by the Nashville Symphony, with Kenneth Schermerhorn conducting. With a recorded sound that is “just right, with enough ambiance for warmth, yet still with plenty of detail,” the recording is brought to life through Newton’s masterful touch. This is another fine addition to the Nashville Symphony’s Naxos recordings, which also include works by Bernstein, Ives, and Hanson.

A nomination for Best Instrumental Solo Performance with Orchestra went to James Buswell for his brilliant solo work on Samuel Barber’s Violin Concerto, supported by the Royal Scottish National Orchestra with Marin Alsop conducting. Deemed “a performance with a genuine heart, superbly played, with a marked care for detail, instrumental colour and melodic inflection” (Geoffrey Norris, The Daily Telegraph), the performance is not to be missed. Rounding out the album are Barber’s Souvenirs (Ballet Suite) Op.28 and Serenade for Strings Op.1, creating a substantial programme filled with the stirring complexities of Barber’s works.

Both recordings are part of Naxos’ American Classics series, which is devoted to presenting a comprehensive collection of American art music. The series includes repertoire by familiar names such as Ives, Sousa, and Copland as well as lesser-known composers including George Frederick McKay and Elie Siegmeister.

The GRAMMYs, given by the US-based Recording Academy (National Academy for the Recording Arts and Sciences), are among the highest honours given in the American recording industry. The 2003 GRAMMYs will be presented on February 23rd in New York.

Naxos Web Site

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