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A |
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1223 |
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1119 |
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1916 |
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1425
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ADVANCED COMPUTER SYSTEMS S.p.A.
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3315 |
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2325 |
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3415 |
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2808 |
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2915 |
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1416 |
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3211 |
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1622 |
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1204 |
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1416 |
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1907
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2820 |
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3013 |
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1416 |
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1411 |
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1211 |
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2516 |
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1910 |
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2812
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1211 |
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2812 |
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1915 |
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2818 |
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1125 |
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2207 |
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2425 |
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1622
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2416 |
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B |
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2914 |
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1702 |
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1702 |
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2425 |
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2102 |
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C |
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1507 |
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2210 |
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2712 |
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1901 |
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1807 |
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1825 |
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1606 |
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1706
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1902 |
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2816 |
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3311 |
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2013 |
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D |
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1211 |
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2219 |
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2622 |
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1408 |
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1423 |
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2913
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1820 |
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1522 |
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2010 |
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1220 |
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1411 |
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2411 |
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2608 |
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1207
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1815 |
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2212 |
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2019 |
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3021 |
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2615 |
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E |
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1207 |
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2119
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3416 |
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1423 |
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EUPHONIX Europe Office |
3215 |
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1421 |
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F |
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2921 |
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1613 |
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1225 |
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1918 |
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1105 |
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1212 |
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G |
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2410
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Room M |
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1122 |
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2221 |
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1406 |
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1702 |
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H |
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2306 |
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2726
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I |
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2812 |
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2106 |
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1411 |
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1616 |
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1323 |
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1506 |
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INTERNATIONALPRESSAREA |
2812 |
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J |
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1722 |
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1312 |
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1112 |
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1710
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K |
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Keyboards |
2812 |
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2421 |
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1810 |
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3221
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1211 |
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L |
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2004 |
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1804 |
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2812 |
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1307 |
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2912 |
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Line Up |
2812 |
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1211 |
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2817 |
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2102 |
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1912 |
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2321
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2612 |
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2216 |
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M |
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1404 |
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1603 |
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3312 |
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3313 |
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2419
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2222 |
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3113 |
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1710 |
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1522 |
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3212 |
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1604 |
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3010 |
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1502
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1120 |
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1712 |
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1712
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3212 |
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1716 |
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1803 |
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1520 |
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2422 |
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1620 |
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2725 |
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N |
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Nagra Nagravision SA Kudelski Group
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2413 |
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NATIONAL SEMICONDUCTOR GmbH |
2813 |
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1610 |
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2204 |
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2315
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3017 |
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2521 |
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1725 |
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2007 |
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2007 |
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2522 |
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O |
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2714
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1325 |
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3112 |
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2104 |
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P |
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1812 |
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1802 |
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Room O |
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1702
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1602 |
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1217 |
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1420 |
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3018 |
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2812 |
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1402 |
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PROKOM |
3111 |
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3210 |
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Q |
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1416 |
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R |
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1622 |
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Radio Link |
2812 |
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1423 |
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3413 |
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1416 |
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1808 |
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1715
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1110 |
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1908 |
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2215 |
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S |
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1207 |
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1820 |
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3110 |
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2415
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SD SYSTEMS Instrument Microphones
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2206 |
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1702 |
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2405 |
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3019 |
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1818 |
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2015 |
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3212 |
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3212
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2614 |
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2812 |
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2815 |
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2812 |
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Room O |
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1722 |
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1106 |
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2812
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2812 |
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2312 |
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2007 |
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2006 |
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1820 |
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1720 |
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2605 |
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1207
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1707 |
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2822 |
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2812 |
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3213 |
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T |
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1925 |
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1211 |
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2610
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2714 |
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3015 |
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2302 |
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3310 |
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1416 |
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Top Format
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1926 |
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Total Production |
1102 |
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1423 |
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1608 |
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U |
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2511 |
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1104 |
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1207 |
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V |
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2017 |
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2823 |
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W |
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2919
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1423 |
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1423 |
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1622 |
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1121 |
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1314 |
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Y |
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1716 |
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1211
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Yamaha Music Central Europe GmbH
|
2617 |
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2918 |
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Z |
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2012 |
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1111 |
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AES 114th Convention Exhibitors
Yamaha’s 01V96 Brings Top-of-the-Line Digital Mixer Features to Home & Project Studios
Yamaha’s digital mixing consoles have won widespread acceptance throughout the professional audio world. At Winter NAMM, Yamaha showed the new 01V96 mixer, which aims to provide the same kind of performance as its more-expensive ancestors like the DM2000 and 02R96, in a more affordable format suitable for the home or smaller professional production studio.
The suggested retail price of the 01V96 is $2,499 (US).
The new model offers 24 analog and digital channel inputs, expandable on-board to 40 channels, and units can be cascaded for applications that require more. Every input channel provides independent compression and gating/ducking processors for dynamics control, 4-band parametric channel EQs that are fully sweepable from 20 Hz to 20 kHz, with bandwidth variable from 0.1 to 10 and a +/-18dB gain range, and channel delays with a maximum delay of 452 milliseconds (96 kHz mode). The stereo bus, eight mix buses, and eight aux buses each have individual compression and EQ, as well.
24-bit/96-kHz operation is standard in the 01V96. You can also work at 44.1 kHz, 48 kHz and 88.2 kHz, depending on the needs of each individual project.
The 01V96 comes with a comprehensive range of on-board effects, 96-kHz compatible, stereo, with 32-bit internal processing. There is enough processing power to run two effects simultaneously at 88.2/96-kHz, and up to four effects at lower sampling frequencies.
Automation on the new mixer is scene-based. There are 99 scene memory slots for complete console setups that can be memorized and called up via mixer panel controls, or recalled remotely via MIDI program change messages.
Like the DM2000, the 01V96 has been designed to integrate tightly with leading digital audio workstations to create a complete production and mixing environment. Extensive support is provided for Digidesign’s Pro Tools® system as well as Steinberg’s Nuendo® DAW – full control of mixing and processing parameters, as well as transport/track-arming control and access to editing functions – directly from the 01V96 control surface.
There’s also a “General DAW” mode that provides compatibility with other workstations.
USACI Details Upcoming Spring Break Sound Off and SPL Events
United States Autosound Competition International (USACI) has provided event details for a couple of Spring Break competition events coming up in March.
First up is 6th annual Spring Break Jam, March 1-2, 2003 at the South Padre Island Convention Center in South Padre Island, Texas. The event will include a USACI triple-points regional sound off and USACI custom car show, plus live performances, free product giveaways, and bikini contests.
Spring Break Jam will also feature “The Mike Outlaw Show,” under a new agreement that will bring Mike Outlaw and his “incredibly crazy personality” to the spring break event every year for the next three years.
“I am pumped!” exclaims Mike Outlaw, explaining that he can hardly wait to take the stage at Padre. “I do a lot of events, but few as fun or spontaneous as Spring Break Jam” he says.
A couple of weeks later comes the USACI Spring Break Beach Bash, sponsored by Audiobahn. It takes place March 15-16, 2003, at the Miracle Mile Amusement Park on the “Party Strip” at Panama City Beach, Florida. It will be a USACI Regional event, World SPL Record Event, and Tuner Jam Car Show. Organizers are expecting about 100,000 spring breakers to attend.
The event admission includes one free admission to the amusement park, World Finals size trophies, and cash prize money in every class, with one lucky competitor winning a guaranteed $1000 cash prize.
Among the attractions at the Beach Bash:
- “The Judge” SPL tower
- the “Mike Outlaw Show” (sponsored by Memphis Car Audio)
- SPL Legend Alma Gates will sign autographs
- “The Bronco,” the vehicle that changed the face of SPL competition in America
Team Kicker will be on hand to support their competitors as will Crutchfield, Memphis Car Audio, Audiobahn, Digital Audio, Ichibahn, Xcite Audio, Swiss Audio, Alphasonic, and many other local and national sponsors.
Sommers Audio of Panama City Beach will be the local host sponsor for the event.
Native Instruments Launches Vokator at Winter NAMM
he new VOKATOR plug-in from German virtual synth developer Native Instruments is a vocoder that the company says will define a new standard for transparency, detail, and smoothness. It will be available in February 2003 for Mac OS9 and Windows PCs (support for DXi II, RTAS and OS X including Audio Units will follow later), at a suggested retail price of $299 (US).
It is not only an exceptional vocoder, but also a sophisticated synthesizer, a granular sampler, and a virtual sound-fusion laboratory. By offering multiple modes of operation, VOKATOR opens vast new worlds of sound-design possibilities.
VOKATOR’s high-resolution FFT spectral engine is a milestone in vocoder development. Previous vocoders used eight, sixteen, twenty, or thirty-two frequency bands at the most the more frequency bands, the smoother and creamier the effect. Unlike its predecessors, VOKATOR’s advanced engine uses 1024 bands. In addition to its stunningly transparent, full-resolution operation, VOKATOR’s bands can even be grouped together for a convincing vintage-vocoder emulation. To ensure optimal dynamic range across the frequency spectrum, an integrated frequency-domain compressor balances the levels of all bands.
A pair of vocoding channels can either be spectrally combined or played independently. Channel A can be switched between an integrated file player or external input A, while Channel B can be set to a full-featured synthesizer, a time-stretching granular sampler, or external input B. For a traditional vocoder effect, the frequency spectrum of the external input would be controlled by the synthesizer, but VOKATOR’s capabilities are much more advanced than simple vocoding.
VOKATOR is both an effect plug-in and a vocoder-based synthesizer. Its synthesizer features an advanced dual-oscillator design with dynamic preset morphing controlled by the modulation wheel. VOKATOR’s granular sampler can independently control a sample’s pitch and time. A full range of modulators step sequencers, envelope followers, LFOs, and more can be easily routed to any of the synthesizer’s or sampler’s parameters.
Fostex Intros Compact PM0.5 2-Way Powered Monitor
Fostex America has announced the introduction of a compact, self-powered monitor system. The new model follows the successful design of the company’s model PM-1, a larger version now selling at Fostex Dealers.
“We’re very positive about the PM0.5.” comments Fostex product manager Derek Badala. “It fills a price/performance niche requested both by our dealers and our customers. There is a definite place in the market for this kind of compact, high performance monitor.”
The 5″ low frequency driver has been designed to deliver extremely pure music reproduction by employing the latest technology in cone material. The cone uses a mixture of cut and milled fibers that are made from aromatic polyamide. It is then impregnated with resins to simultaneously achieve high rigidity and optimum damping.
An olefin film is thermally adhered to the surface of the cone to control frequency response and to establish long-term reliability. The center dust cap is made of non wood cellulose material and is also impregnated with resin. Finally, the voice coil is made of super high purity copper wire to achieve very low distortion.
The .75″ soft dome tweeter employs the Fostex UFLC technology (Poly Urethane Film Laminated Cloth). It is both lightweight and highly stable. Both drivers are powered by specifically matched amplifiers-40 Watts RMS for the woofer and 30 Watts RMS for the tweeter.
The compact PM0.5 measures 7-1/8″ H x 11″ H x 10-1/4″ D (w/heat sink) and weighs 14.3 lbs. each.
“The PM0.5 is ideal for small project studios or even remote recording applications.” Badala explains. “It’s amazingly powerful, despite its size. For example, it generates 105dB SPL at 1 meter across the critical midrange bandwidth from 80Hz to 3kHz.”
Free field response is 50Hz ~ 20kHz +/- 2dB.
Performance is tailored further by the use of cut-off filters: 40 Hz for the woofer and 22kHz for the tweeter. These safeguards prevent the drivers from attempting to reproduce frequencies outside of their performance specifications.
The Fostex PMO.5 will be priced at a suggested retail price of $349 per pair (US).