Onkyo Upgrades Entry-Level Home Theater Receiver With 6.1 Surround Capability

Onkyo USA has upgraded its budget home theater oriented TX-SR501 audio/video receiver ($300 US) by increasing the number of built-in 65-Watt amplifiers from five to six.

Onkyo has also added Dolby Digital EX and DTS-ES 6.1-channel surround processing, to take advantage of the sixth amp channel and provide a center-rear signal.

Another new feature of interest in home theater applications is HDTV-capable component video switching.

The revised Onkyo TX-SR501 is already shipping, available in both black and new silver finish.

Onkyo’s upgraded TX-SR-501 makes an ideal entry-level home theater control center, though it lacks multichannel audio inputs to handle DVD-Audio or SACD multichannel sources

With the addition of the center-back surround channel, the Onkyo TX-SR501 can fully exploit the Dolby Digital EX and DTS-ES soundtracks available on many modern DVD video discs. Sound effects can arrive at the listener’s ears from the front, sides, and, now, from directly behind the listener’s head. The receiver also includes Dolby Pro Logic II and DTS Neo:6 processing, which can derive 5.1 and 6.1 multichannel sound from two-channel sources.

The TX-SR501 also boasts 50 MHz component video switching, allowing the receiver to switch high definition video signals without degrading video quality. There are two component video inputs and one output, four A/V composite inputs and two outputs with alternate S-Video connections, plus front panel A/V composite and S-video inputs for convenient connection of portable devices.

The receiver has three assignable digital audio inputs with one coaxial and two optical connectors, RCA line-level connections for a CD player and audio recorder, and a subwoofer preamplifier output.

There are dual banana-plug-compatible multi-way speaker binding posts for all main channels with color-coding for simplified wiring, and front channel “B” terminals for a second set of stereo speakers.

The Onkyo TX-SR501 includes six internal power amplifier channels with high-current, low-impedance discrete output devices, to deliver a continuous power output of 65 Watts per channel into 8-ohm loads, and 80 Watts into 6 ohms.

Onkyo has incorporated several new refinements in the TX-SR501, including a new, more massive high current power supply (H.C.P.S.) transformer, an absolute ground plate (to eliminate ground hum), and heavy-duty bus bars to diminish fluctuations in electrical potential for reduced noise.

Onkyo’s WRAT (Wide Range Amplifier Technology) gives the power stage a linear frequency response from 10 Hz to 100 kHz, well beyond the frequency limitations of the most demanding audio sources, such as SACD and DVD-Audio.

The dot-matrix fluorescent front panel display makes setup and operation of the receiver easy and fast, including variable speaker configuration and distance settings for simple optimization of any speaker arrangement. With the new adjustable crossover on the subwoofer pre-out channel, the LFE channel signal can be cutoff at 60, 80, 100, 120 or 150 Hz, for seamless integration of any satellite and subwoofer combination.

The receiver’s high quality AM/FM tuner section has 30 random presets, and FM automatic scan tuning. The included preprogrammed remote control makes system integration and control simple and convenient.

Onkyo USA Web Site

Martinlogan Updates Script Surround Speakers, Theater and Cinema Center-Channels, With New Electrostatic Technology

Audiophile electrostatic speaker maker MartinLogan has introduced updated versions of its Script wall-mount surrounds, Cinema center channel, and Theater reference standard center channel loudspeakers.

The new models carry the ‘i’ designation – Script i, Cinema i, Theater i – to distinguish them from the earlier versions. Key improvements in the new line-up include MartinLogan’s Generation 2 stat panel featuring ClearSpar technology, MicroPerf stators, low-voltage DC power, improved low-frequency performance, enhanced cabinet and stator finishes, and flexible mounting and installation features.

All speakers are now shipping. The Script i surrounds retail at $1,995 per pair (US); the Cinema i center channel is priced at $1795 each (US); and the Theater i reference center channel is listed at $2795 each (US).

“The world’s most accurate transducer – the patented MartinLogan CLS (curvilinear line source) ESL – has advanced to a new level. The i’s Generation 2 stat panel featuring ClearSpar™ and MicroPerf stator technology provides astounding output and detail from our proprietary ESL transducer.”

The new Generation 2 stat panels incorporate a reformulation of MartinLogan’s conductive coating and a new plasma deposition process. This refined thin film technology provides improved impedance tolerance and maximum adhesion and abrasion resistance.

The new MicroPerf design reduces the size of individual holes in the stator, allowing more openings compared to a traditional MartinLogan ESL transducer. This maximizes the efficiency of the small ESL transducers in each of the new models.

ClearSpar™ technology enhances the transparent look of the new speakers, and increases both efficiency and dynamics.

MartinLogan has redeveloped the successful Script surround loudspeaker from the ground up, marrying the performance of the original Script with the lifestyle- and video-friendly look and styling of the recently-introduced Clarity loudspeaker.

Script i maintains its high frequency response and precision with advanced crossover topology, audiophile-grade components and point-to-point wiring.

In addition to the upgraded electrostatic technologies of the new series speakers, the discretely-sized Script i also offers a state-of-the-art poly-cone woofer optimized for bass reflex design that delivers an accurate low-end response.

To eliminate the need for a traditional IEC power cord and significantly increase ease of installation, especially for custom applications, the Script i features a low-voltage DC power supply. To further enhance custom application options, the Script i is only 7 inches deep when mounted on its pivoting wall-bracket (included with the Script i).

MartinLogan's New Theater i Center Channel Hybrid Electrostatic

The new Theater i center channel speaker fuses the high-performance Generation 2 CLS transducer with dual proprietary 6.5″ dynamic bass drivers and an innovative controlled-dispersion array. This has resulted in a design capable of fully resolving any sound from the subtlest dialog to room-shaking effects. Theater i’s innovative controlled dispersion array maintains precise frequency versus dispersion, minimizing destructive room interactions.

Theater i’s custom designed components, along with its electrostatic and dynamic drivers, all combine to insure the highest levels ever of transparency, linearity and seamless integration. The speaker is fully shielded, for zero impact on picture quality.

To further enhance custom application options, the Theater i ships with a multi-mount stand attached. Whether the Theater i is placed atop a rear projection TV, wall mounted under a plasma screen or placed on the floor, the unit can be precisely aimed simply by adjusting the proprietary MartinLogan handgrips.

MartinLogan's Affordably-Priced New Cinema i Center Channel

Like the Script i and Theater i, the Cinema i leverages all of MartinLogan’s engineering, design and manufacturing prowess to deliver a high standard of performance at an affordable price.

Enhanced cabinet and stator finishes and standard on both the Cinema i and the Theater i center channels. The finishes include an attractive and durable new semi-gloss black cabinet finish and shimmering, dark gray Meteor colored stator (the front and back perforated steel electrostatic panel elements).

Both center channel models are supplied with single-wire, high-resolution, proprietary toolless binding posts for effortless cable attachment and management.

MartinLogan Web Site

Canton Introduces CD-1 Compact Home Theater 5.1 Surround Loudspeaker System

Canton has introduced the Movie CD-1, a 5.1-channel speaker system that delivers all the dynamics and excitement of home theater in small and attractive satellite speakers that reflect the company’s historic commitment to both sound and design.

The package consists of four identical aluminum microspeakers, a matched horizontal center-channel, and a small but powerful subwoofer.

The Movie CD-1 home theater system is currently shipping, available at a suggested retail price of $1099 (US).

Canton says that unlike many subwoofer-satellite mini-systems, the Movie CD-1 models are far more than just smaller speakers. Canton engineering and design advances in driver, circuitry, and cabinet design give the CD-1 satellites a frequency response of 80 Hz to 25 kHz from a speaker that measures just over 5-inches tall, and under 4-inches deep and wide.

Among the advances that allow this feat are a new, proprietary 3-inch aluminum woofer, high-integrity aluminum housing, a 3.6 kHz crossover network, and a sophisticated passive filter circuit which blocks unwanted low-frequency signals that can generate harmonic distortions.

The CD-1 Center-channel incorporates the same technologies and drivers as the satellites, but features a two-woofer, single-tweeter horizontal arrangement that provides outstanding midrange performance, so important for the reproduction of dialogue in movies. The tapered housing allows for easy ’tilting’ of the speaker, and the horizontal driver array improves linearity across the soundstage. The CD-1 center-channel features the same aluminum housing and perforated metal grille as the satellites.

The CD-1 Subwoofer uses Canton’s exclusive SC technology to deliver excellent deep bass response and very low distortion. The active SC electronic filter is integrated into the 100-Watt onboard amplifier circuit, and computer-designed to adjust the response curve to compensate for the acoustic characteristics of the housing and driver. This both blocks unwanted infrasonic signals, which can cause distortion from excessive driver excursion, and improves the speaker’s output response curve across the frequency range. The result is a frequency response that pushes all the way down to 38 Hz and provides tight and linear bass up to 140 Hz.

The sub’s adjustable crossover frequency, level control, and switchable phase adjustment can all be used to tailor the installation of the subwoofer and satellites in nearly any room, and with any source material.

The Canton Movie CD-1 Satellites and Center-channel are finished in striking aluminum, and the CD-1 Subwoofer is finished in a matching silver Matte. The CD-1 includes mounting brackets for all the satellite speakers. The LS-90 speaker stands shown in the photo are optional.

Canton Elektronik Web Site

XM Satellite Radio Offers Digital Audio Receiver and Service for Home PC Systems

On May 2 2003, XM Satellite Radio will begin shipping its new XM PC Receiver (XM PCR) for home computers, priced at $69.95 (US). The new receiver allows PC users to listen to XM’s subscription service, offering 101 channels of digital music, entertainment and news.

Satellite radio has been targeted thus far to mobile and car audio listeners, and XM says the XM PCR is the first satellite radio receiver available for personal computers.

“The PCR makes the tremendous breadth of XM’s 101 digital music, entertainment and news channels available to computer users at home, work, school and on the go – without the need for an Internet connection,” says XM president and CEO Hugh Panero.

The XM PCR provides listeners with XM’s acclaimed digital surround sound stereo, a vast improvement over the sound quality of Internet audio streaming. Additionally, XM’s signal is captured directly from XM’s two satellites and terrestrial repeaters so there are no “buffering” delays or slow channel searching and changing, effectively turning a computer into an XM radio.

Recognizing the computer’s place as the home’s entertainment center, XM engineered PCR so users can play games and explore the Web without restriction or slowdown, all while listening to 101 channels of exceptional programming.

“XM has created a very simple, elegant and inexpensive way to listen to the variety of music, news, sports and talk people crave during their day. Now the XM radio revolution is a mouse-click away for the millions of Americans who daily spend hours at their computers,” comments Mr. Panero.

“Meanwhile, it is well-known that Internet streaming places a terrible burden on a computer’s connections and resources, and the beauty of XM PCR is that it makes no such demands. XM PCR delivers all of the music with none of the frustration.”

XM PCR includes PC software (Windows only) that offers a simple but dynamic user interface, giving listeners a chance to view the music choices on multiple channels simultaneously. Users can easily personalize the display to show their favorite channels, and see everything playing on these channels at the same time. They also can save song titles and artist names for future reference.

The XM PCR package includes the receiver, an antenna, PC software CD-ROM, USB cable (providing power to the receiver as well as the data connection to the PC) and an audio cable. Set up, installation and activation takes only a few minutes. Users will have the opportunity to download subsequent versions of the XM PCR software with added functionality. In addition, antennae extension cables will be available as an accessory.

XM Satellite Radio Web Site

Tony Maserati Relies on Studio Network Solutions Drives for Transfers and Backups – “Every Single Day”

After spending too much time fighting with SCSI drives stricken with slow transfer rates and recurring meltdowns, mix engineer Tony Maserati decided it was time for a change. Looking for a drive that could handle 96k sample rates and intense file transfer demands, Maserati opted for the Fibre Channel-based A/V SAN™ drive system from Studio Network Solutions®.

Mr. Maserati, who spends much of his time working at The Hit Factory’s Studio 3 in New York, used the A/V SAN recently for sessions with Beyonce Knowles, Christina Aguilera and Destiny’s Child.

“I transfer files either from CDs or SCSI hotswaps,” explains Mr. Maserati. “Whole projects fit on one A/V SAN drive, which allows me to manage everything completely and easily.”

“On the Christina Aguilera sessions, I never once had to think about the drive, which is optimal for me. No matter what stress I put on the A/V SAN, it simply never stops working.”

The A/V SAN™ system, which uses fibre channel to achieve extremely high transfer rates, is capable of eliminating almost all hard drive and I/O-related PCI bus errors. This means that engineers such as Maserati, whose work demands are intense and deadline driven, can increase their workflow and productivity by not having to stop and and deal with hard-drive system failures.

“I have my own A/V SAN that I cart around with me from studio to studio,” says Mr. Maserati. “I will not go into a session without it; it just works. I don’t have to do anything! I don’t ever have to initialize or defrag the drives. In fact, I’ve never defragged the drives and I’ve had it for a year and a half. It works flawlessly every single day of the week, and I work a minimum of six days a week.”

The A/V SAN can deliver 128 tracks of 24-bit/48k audio from a single drive. It provides up to 400 MB/second of throughput, and concurrent access for multiple users. It can also do simultaneous data back-up while the drives are in use for production.

The A/V SAN package includes a 1U enclosure, up to 4 Fibre Channel drives, a Studio Network Solutions PCI card, custom SNS Software and optical cables.

Studio Network Solutions Web Site