Archives for 2003

Major Music Retailers Announce the Formation of Echo, the Industry’s First Retailer-Driven Digital Music Consortium

Six major music retailers have teamed up to develop the “first retailer-driven digital music consortium committed to bridging the gap between brick and mortar and digital music distribution.”

More plainly, they mean they’re starting up another online distribution system to sell legal music downloads to consumers.

The new group calls itself Echo. The retail partners in Echo are Best Buy, Hastings Entertainment, Tower Records, Trans World Entertainment Corporation (FYE Stores, Planet Music, Strawberries, etc.), Virgin Entertainment Group, and Wherehouse Music. Collectively, the 6 Echo founders can boast of more than 3,000 retail locations, $20 billion in annual sales, and over 800 million customer transactions per year.

The retailers believe they can create a successful alternative to existing label-backed initiatives such as MusicNet (AOL Music, RealOne Music) and pressplay (Yahoo!, MSN Music), by building on their experience selling music to consumers, building customer relationships, marketing music and breaking new artists.

Echo’s first challenge will be to obtain competitive licenses to distribute music recordings online, especially from the big-5 major music companies. It will be interesting to see how the majors, all of them participating to some degree in each of the various existing label-backed digital music services, will respond to a new competitor in the online space.

Echo may be anticipating a tough negotiation over licenses. The launch announcement plays up the role of Alan Malasky (Porter Wright Morris & Arthur), Echo’s Washington, D.C.-based antitrust counsel: “Each retailer participant will independently market and price the digital entertainment products it offers, in the manner that will best serve its consumers. This will, for the first time, bring real competition to the digital music marketplace,” says Malasky.

This could be construed as a pre-emptive stance to defuse potential criticism of Echo on grounds of price-fixing. Or it could be construed as a veiled threat to the major music companies that they had better offer distribution licenses, or else.

Once the group gets over the licensing hurdle, the plan is for each partner to deliver a variety of digital music products and services through individually branded, or Echo co-branded offerings. The consortium says it will “build upon the in-store marketing capabilities of its retail partners to drive consumer awareness of digital music offerings, and will help drive adoption of new, advanced digital music services as they evolve.”

In Their Own Words

Scott Young, Vice President of Digital Entertainment at Best Buy: “Best Buy is focused on creating consumer-based solutions to digital entertainment services. As part of the retail consortium, we will be better able to articulate our message to consumers, to content owners and to those involved in setting standards and legislation regarding this evolving business.”

John Marmaduke, CEO of Hastings Entertainment: “The message of music retail is simple: we have always excelled at selling music to consumers, and we plan to extend our consumer relationships from the physical world into the digital world.”

Kevin Ertell, Senior VP, Online Operations at Tower Records: “For over forty years Tower Records has held a deep commitment to providing consumers with a breadth of entertainment choices. The formation of a digital retail platform reflects Tower’s continuing commitment to serving our customers.”

John Sullivan, CFO of Trans World Entertainment: “We have closely monitored the evolution of digital music in recent years and we feel that the timing is finally right for building a business around it. Moreover, we feel the Echo consortium is uniquely positioned to drive adoption and, ultimately, success.” (Trans World owns the FYE – For Your Entertainment, Coconuts, Strawberries, Specs and Planet Music brands)

Glen Ward, CEO of Virgin Entertainment Group: “Virgin has built its brand and its business on providing great value to consumers. In the digital world, we will do the same.”

Jerry Comstock, CEO of Wherehouse Music: “Retail has always been about more than simply selling CDs,” added “We are in the customer relationship business.”

Dan Hart, CEO of Echo: “The Echo consortium was established to create a viable business strategy that combines physical and digital music distribution,” says Mr. Hart. “With competitive licenses, music retailers can utilize their long history and expertise to provide a digital music experience that truly serves the consumer.”

Best Buy, Hastings, Tower, Trans World, Virgin, and Wherehouse each own equity in Echo and the retail founders collectively own a controlling majority of Echo. Echo board members will include Arnie Bernstein, former President of the National Association of Recording Merchandisers, and Strauss Zelnick, former CEO of BMG Entertainment and an investor in Echo through ZelnickMedia.

Echo Web Site

Major Music Retailers Announce the Formation of Echo, the Industry’s First Retailer-Driven Digital Music Consortium

Six major music retailers have teamed up to develop the “first retailer-driven digital music consortium committed to bridging the gap between brick and mortar and digital music distribution.”

More plainly, they mean they’re starting up another online distribution system to sell legal music downloads to consumers.

The new group calls itself Echo. The retail partners in Echo are Best Buy, Hastings Entertainment, Tower Records, Trans World Entertainment Corporation (FYE Stores, Planet Music, Strawberries, etc.), Virgin Entertainment Group, and Wherehouse Music. Collectively, the 6 Echo founders can boast of more than 3,000 retail locations, $20 billion in annual sales, and over 800 million customer transactions per year.

The retailers believe they can create a successful alternative to existing label-backed initiatives such as MusicNet (AOL Music, RealOne Music) and pressplay (Yahoo!, MSN Music), by building on their experience selling music to consumers, building customer relationships, marketing music and breaking new artists.

Echo’s first challenge will be to obtain competitive licenses to distribute music recordings online, especially from the big-5 major music companies. It will be interesting to see how the majors, all of them participating to some degree in each of the various existing label-backed digital music services, will respond to a new competitor in the online space.

Echo may be anticipating a tough negotiation over licenses. The launch announcement plays up the role of Alan Malasky (Porter Wright Morris & Arthur), Echo’s Washington, D.C.-based antitrust counsel: “Each retailer participant will independently market and price the digital entertainment products it offers, in the manner that will best serve its consumers. This will, for the first time, bring real competition to the digital music marketplace,” says Malasky.

This could be construed as a pre-emptive stance to defuse potential criticism of Echo on grounds of price-fixing. Or it could be construed as a veiled threat to the major music companies that they had better offer distribution licenses, or else.

Once the group gets over the licensing hurdle, the plan is for each partner to deliver a variety of digital music products and services through individually branded, or Echo co-branded offerings. The consortium says it will “build upon the in-store marketing capabilities of its retail partners to drive consumer awareness of digital music offerings, and will help drive adoption of new, advanced digital music services as they evolve.”

In Their Own Words

Scott Young, Vice President of Digital Entertainment at Best Buy: “Best Buy is focused on creating consumer-based solutions to digital entertainment services. As part of the retail consortium, we will be better able to articulate our message to consumers, to content owners and to those involved in setting standards and legislation regarding this evolving business.”

John Marmaduke, CEO of Hastings Entertainment: “The message of music retail is simple: we have always excelled at selling music to consumers, and we plan to extend our consumer relationships from the physical world into the digital world.”

Kevin Ertell, Senior VP, Online Operations at Tower Records: “For over forty years Tower Records has held a deep commitment to providing consumers with a breadth of entertainment choices. The formation of a digital retail platform reflects Tower’s continuing commitment to serving our customers.”

John Sullivan, CFO of Trans World Entertainment: “We have closely monitored the evolution of digital music in recent years and we feel that the timing is finally right for building a business around it. Moreover, we feel the Echo consortium is uniquely positioned to drive adoption and, ultimately, success.” (Trans World owns the FYE – For Your Entertainment, Coconuts, Strawberries, Specs and Planet Music brands)

Glen Ward, CEO of Virgin Entertainment Group: “Virgin has built its brand and its business on providing great value to consumers. In the digital world, we will do the same.”

Jerry Comstock, CEO of Wherehouse Music: “Retail has always been about more than simply selling CDs,” added “We are in the customer relationship business.”

Dan Hart, CEO of Echo: “The Echo consortium was established to create a viable business strategy that combines physical and digital music distribution,” says Mr. Hart. “With competitive licenses, music retailers can utilize their long history and expertise to provide a digital music experience that truly serves the consumer.”

Best Buy, Hastings, Tower, Trans World, Virgin, and Wherehouse each own equity in Echo and the retail founders collectively own a controlling majority of Echo. Echo board members will include Arnie Bernstein, former President of the National Association of Recording Merchandisers, and Strauss Zelnick, former CEO of BMG Entertainment and an investor in Echo through ZelnickMedia.

Echo Web Site

Parasound Ships its Much-Anticipated Halo C 1 A/V Controller

Parasound has announced that it will begin shipments this week of its highly anticipated Halo C1 audio/video controller.

The Halo C1 and its sibling model, the already-available Halo C 2, allow audiophiles to control their acoustic environment in ways never before possible with consumer products. These reference-grade components are THX Ultra2-certified multichannel A/V controllers that use the world’s most sophisticated DSP engine to deliver previously unattainable levels of performance and control, while remaining exceptionally easy to set up and operate. They also have four programmable output channels that take surround sound beyond the boundaries of conventional 7.1 channel systems.

“The Halo C 1 & C 2 expand the boundaries of 7.1-channel technology for audio and video enthusiasts, while providing automated configuration and outstanding ease-of-use for custom installers,” said Richard Schram, president, Parasound Products.

For the creative audiophile, the Halo models’ four additional channels provide remarkable opportunities to fine-tune the sound of the system in ways not possible with the current generation of controllers.

The programmable outputs consist of

  • (1) a second Subwoofer/LFE channel
  • (2) a sub-20 Hz LFE bass channel to drive a tactile transducer “room shaker”
  • (3 & 4) two completely customizable output channels

Each programmable channel has independent adjustments to mix its content from any or all of the eight main channels, plus adjustments for level and time-delay, and controls for high- and low-pass filters. Some possible configurations of these channels are for true stereo subwoofers, a dedicated rear-channel subwoofer, additional front or surround channels, mid-ceiling speakers for improved front-rear pans and improved spatial ambience, or mono channels for single speakers in adjacent rooms.

The Halo C 1’s most noticeable feature is a 5-inch front-panel video monitor that can duplicate the program and/or on-screen display on the component’s face plate. Both the Halo C 1 and C 2 provide the complete “alphabet” of all the latest state-of the-art surround processing modes, while future processing modes will be available via an upgradeable processor and software. An RS-232 port is provided to interface with a home automation system or a Windows PC for set-up, control, and processor upgrades. Available Parasound HaloControl™ software allows the user or custom installer to manage all the set-up and control functions, and to backup user settings. Custom installers will also appreciate the easy and effective automatic channel calibration process performed with an included microphone.

Other features include professional-grade balanced XLR audio and BNC video connections, two remote controls, and multi-zone capability. Except for the video monitor, slightly fewer connections, and some differences in the power supply, the smaller Halo C 2’s provides the same sonic and video prowess as the C 1.

“Three years ago we asked a team of designers in the US, Finland and Norway to create an instrument of such exquisite refinement that it would truly be in a class by itself,” said Parasound’s president, Richard Schram.

“The result has surpassed even my highest expectations, and it will have great appeal both to custom installers, who want to get the system running right and get it done fast, and to audiophiles and home theater enthusiasts, who want to fine-tune their systems to within the last fraction of sonic perfection.”

The Halo by Parasound C 1 and C 2 Audio/Video Controllers have suggested retail prices of $6,000 and $4,000, respectively.

Parasound Web Site

Treo Engineering Announces Treo Series Extreme (TSX) Subwoofers

At CES, Treo introduced several new products, including the Street Series Extreme Twelve Inch Subwoofer (SSX12.22), and the all-new Treo Series Extreme Subwoofers (TSX10.xx, TSX12.xx, & TSX15.xx)

The TSX subwoofers are aimed at the high-end car audio consumer. They take many of the same technologies used in the championship winning Treo Engineering Competition Series Extreme (CSX) SPL competition subwoofers and translate them into great-sounding subwoofers that will stand up to any kind of abuse.

The TSX subwoofers will be available in ten, twelve, and fifteen inch sizes. All sizes will be available with dual 4-ohm or dual 2-ohm voice coils.

The TSX10 and TSX12 feature a large 208 ounce motor structure, 2.5 inch dual two ohm or dual four ohm voice coils, and a polypropylene cone. The TSX15 features the same polypropylene cone along, with even larger 298 ounce motor structures and 3.0 inch dual two ohm or dual four ohm aluminum voice coils.

All TSX subwoofers feature hydro-formed steel frames with Treo-exclusive perimeter venting and durable and attractive black electroplated top plates and T-yokes. Power handling on the TSX10 and TSX12 is 275 watts RMS and power handling on the TSX15.22 is 350 watts RMS. The TSX subwoofers boast two and a half inches of peak-to-peak excursion.

The Treo TSX subwoofers will be in stores beginning February 1, 2003, pricing to be announced.

TREO Engineering Web Site

More CES 2003 News

Outlaw Audio Debuts 200-Watt, $299 Mono Amplifier

Outlaw Audio has introduced the Model 200 “M-Block” single channel amplifier with a power rating of 200 watts into 8 ohms, and a remarkable low Web-direct price of just $299 (US).

While audiophiles have long appreciated the inherent channel-isolation benefits of single-channel amplifiers, these “mono-block” amplifiers are typically very expensive components available only in the most exclusive high-end audio salons. The Outlaw Model 200, which is sold only on the internet, presents a very affordable way to add extra channels to a home theater, power multiple remote-zone speakers, bi-amp premium audiophile speakers, or create a high-performance two-channel music system.

The Outlaw Audio Model 200 M-Block uses a proprietary hybrid Class A/B/Class G amplifier design that is conservatively rated at 200 watts into a 8-ohm load, 20 Hz – 20 kHz, < 0.05%THD, or 300 watts into 4-ohms. The short-term dynamic power rating is 300 watts into 8 ohms. This amazingly compact amplifier is just 1-3/4 inches high, or one rack-unit in pro-audio jargon, while its footprint matches conventional 17 inches wide components.

Compared to conventional two-, five-, and seven-channel amplifiers, the Outlaw Audio Model 200’s mono configuration provides inherently perfect isolation between channels and a separate power supply for each channel. The Model 200 uses a large-diameter pancake toroidal transformer with a 400VA rating, and two filter capacitors with a combined rating of 20,000 µF to ensure a steady current supply no mater what the input signal.

The Model 200 operates as Class A/B power up to 80 watts, transitioning within 2 microseconds (2 millionths! of a second) to Class G above that. This allows a remarkable combination of signal quality, high power levels, high efficiency, and low operating temperatures without the use of a cooling fan. The transition to Class G is absolutely inaudible, because the 2 microsecond transition lasts about 1/25th the duration of a single cycle of 20 kHz audio. For the Class A/B operation mode the output stage uses four 15-amp bipolar transistors, while the Class G operation employs two 40-amp high-power MOSFETs.

Since the unit is designed to always be either on or in stand-by mode, there is no front-panel power switch. The rear-panel Master Power Button provides the safety switch required to remove the unit from an AC power source. In the standby mode the Model 200 is turned on or off by a standard 6-35VDC trigger signal applied to a rear-panel jack, or when the “music sense” circuit detects the presence of an audio signal at the input jack. When the audio signal stops for 10 minutes, the amplifier automatically turns off.

The front panel has a three-color LED status indicator that glows Outlaw Green when the unit is on, yellow when the unit is in standby, and red if the unit goes in the protect mode. The input signal transits a gold-plated RCA input jack, with the output signal connects via high-quality five-way binding posts.

The Model 200 is available immediately, direct from Outlaw Audio, for $299 (US).

Model 200 Technical Specifications

* Power Output (FTC Continuous RMS):
– 200 watts @ 8 ohms, 20 Hz 20 kHz, < 0.05% THD
– 300 watts @ 4 ohms, 20 Hz 20 kHz, < 0.05%

* Short Term Dynamic Power Output:
– 300 watts @ 8 ohms

* THD Signal to Noise: 100 dB (unweighted)

* Input Impedance: > 10K Ohms

* Gain: +27dB (1.7V sensitivity) for full output

* Input Connectors: RCA Jack

* Output Connectors: Five-Way binding posts

* Power Consumption: 600 watts maximum, < 3 watts standby

* Weight: 18 pounds

* Dimensions (H/W/D):1.75″ x 17″ x 11.5″

Outlaw Audio Web Site