Archives for 2002

SLS International Sells Its First RLA/2 Touring System

SLS International today announced that PMC Sound, located in the Branson Mo. area, has just purchased the first SLS, RLA/2 Ribbon Line Array system for their touring operations throughout the Midwest. This is the first RLA/2 system purchased for the touring industry as it was just released unannounced at the Audio Engineering Society’s annual convention last month in Los Angeles.

The RLA/2 is a highly compact, high-output line array system utilizing the acclaimed SLS, PRD1000 New Technology Ribbon Driver. Each module of the RLA/2 weighs only 56 pounds but can produce an astonishing 126db continuous output. When multiple modules are coupled in a line array configuration, very long throw high output can be achieved. This system is less than one quarter of the size and weight of any comparable conventional system on the road today.

PMC purchased (24) RLA/2modules and (8) SLS, T2184K, 4000 thousand-watt dual 18-inch subwoofers, to deliver the ground-shaking bass that will accompany the RLA/2’s full-range smooth and accurate delivery of sound.

Steve Dubois, director of rental operations for PMC and past sound engineer for Tina Turner, Prince and Andy Williams, to name a few, commented: “When I first heard the RLA/2 prototype system in the SLS engineering laboratory I was blown away. I only heard three modules playing and the midrange and high-frequency detail was better than any system I have ever used in my 20-plus years on the road. All of the growl and tone of high-output electric guitar recordings were right there. Most compression driver systems add so much coloration and distortion that the real sound the musician works so hard to achieve is turned into mush. The SLS ribbons are so open and transparent that they don’t change the musicians’ sound at all. We’ve been in the market for a new system but most of the new boxes out today are pretty much the same old thing with a new paintjob. The SLS Ribbon Line Array’s are an incredible breakthrough for the touring industry. They are very compact and quick to set up. Our new system will take up less than half of the truck space that we were expecting to need for our new rig. And because each module only weighs about 50 pounds it won’t be necessary to have the rigging requirements and the labor cost will be a lot less. I can’t wait to start using the new system.”

PMC Sound has also sold the first RLA/2 system for an installation. Garth Showalter, division manager for PMC, sold an 8 module system for immediate installation in San Angelo, TX. Showalter stated: “The wide horizontal coverage and even vertical dispersion of the RLA/2 allowed me to design a system that will easily cover the entire church with just a single line of 8 modules hung in the center of the room above the platform. I relied on the SLS, LASS (line array simulator software) program to help with my design and it verified we will attain less than a 3db variance in every seat in the main sanctuary. I was able to do this without additional delay speakers and extra electronics and labor for the job. With the RLA/2 install, the people in the back row will hear the same thing and at the same level as the people in the front row. I think this will be one of our best system installs ever and we have been installing systems in the Midwest for over 10 years now using what the industry considered the best speakers for installation available.” Showalter also added: “It will be great to have our touring speakers be the same brand as our installation brand. We will be able to go out and do real-world demonstrations for our customers with speakers they will be getting and not rely on selling with promises of what they will hear if they go with us. Many of the touring speakers on the market today are not that well-suited for installations like the SLS’s. With SLS’s technology and the variety of cabinets that they offer, it will give us a great advantage when competing for the jobs.”

John Gott, President of SLS International stated: “We are very pleased that PMC chose the RLA/2 system for their rental department. I know they have been looking at many of the industry giants’ systems and for them to choose us confirms that we are doing the right thing. We just demonstrated the RLA/2 at the AES show last month and along with the PMC order we have had many inquires as to the delivery of these new compact systems. We are presently cranking up the production on this model as we feel it will be one of our best sellers. With the addition of the RLA/2 to our product line this gives us a complete compliment of line array products. Our RLA/1 large format system and our LS8695 Line Array Column are gaining incredible popularity in the industry. With the industry pushing full bore into the line array arena it’s great to know that we now have a model for all applications. And, because we are the only company to offer a system with a real line array component (a ribbon driver) and every one else is trying to simulate it with old technology, we definitely have a big advantage over our competition.”

About SLS International, Inc.

Based in Springfield, Mo., SLS International, Inc. (OTCBB: SITI), is a 28-year-old manufacturer and developer of new patent-pending ultra-high fidelity ribbon driver loudspeakers and sound systems for the commercial, home entertainment, professional and music markets. SLS has perfected the ribbon-driver technology enabling their loudspeakers to achieve exceptional inner detail and accuracy with 20 to 30 percent less the distortion of typical compression driver and dome tweeters. SLS speakers and systems are used in high-profile venues such as NBC/MSNBC’s 2002 Olympics studios in Salt Lake City

For more information, visit the SLS Web site.

Charter Launches the FullAudio Digital Music Service

Charter Communications, Inc. and FullAudio Corp. today announced the launch of a digital music service that offers Charter customers more than 100,000 tracks of major-label music from BMG, EMI Recorded Music, Warner Music Group and Universal Music Group, and the independent labels Koch and Sanctuary. The new service, The Full Audio Digital Music Service available through Charter, lets users compile custom lists of their favorite music and has the capability to make music recommendations based on customer preferences.

Through its partnership with FullAudio, Charter is able to capitalize on the burgeoning demand for digital music and provide secure, reliable and affordable service to its nearly 6.7 million customers in 40 states. With The FullAudio Digital Music Service available through Charter, consumers have a single, comprehensive destination to access, enjoy and download digital music. The FullAudio Digital Music Service available through Charter will use Windows Media Audio, providing the service with unmatched audio quality and proven digital rights management capabilities.

“By partnering with FullAudio, Charter continues to deliver additional benefits to our high-speed Internet service customers who take full advantage of the power of our broadband network,” said Shahid Butt, Charter vice president of Marketing for New Products and Channels. “The FullAudio Digital Music Service not only offers our customers affordable digital music with a large selection of titles and categories, but it also provides another reason to stay with Charter for high-speed cable modem service.”

“FullAudio is pleased to provide an important component of Charter’s digital music platform,” said Chris Gladwin, CEO of FullAudio. “Growth in digital music will come in great part from partnerships with forward-thinking companies like Charter, who are committed to seamlessly delivering all the benefits of high speed Internet access to their customers. This is an important step forward in transforming the dream –providing customers with instantaneous access to secure digital music — into a reality and a legitimate business.”

FullAudio Digital Music Service from Charter

FullAudio Digital Music Service from Charter allows customers to download up to 50 tracks each month for a $9.95 monthly fee or up to 100 tracks each month for a $17.95 monthly fee. Once the music is downloaded from The FullAudio Digital Music Service, customers have unlimited access to the tracks in their library, and over time, music fans can continue to accumulate tracks and build their music collections as long as their subscriptions are active. FullAudio will allow users to burn their songs to CD early next year. Benefits include:

Windows Media Player 9 Series: a free download of the new, hugely popular Windows Media Player 9 Series beta will be offered along with subscription to the music service

Extensive music library: The FullAudio Digital Music Service offers tracks from FullAudio’s entire music library, tapping four of the five major recording labels (Warner Music Group, Universal, BMG and EMI) as well as major independents such as Sanctuary and Koch

Portability: customers can sync their account to up to three PC’s, allowing them to access their music collections from multiple locations. Additionally, once the music is downloaded to their hard drive, customers can play the music anytime — even when they’re not connected to the Internet

Ability to play all existing music: the combination of The FullAudio Digital Music Service and Windows Media Player 9 Series will allow subscribers to organize and play all existing music located on their hard drive or from CDs

The Windows Media Player 9 utilizes Microsoft Corp.’s digital rights management software and allows users to play stored music when customers are connected or disconnected to the Internet.

For more information about The FullAudio Digital Music Service available through Charter, please visit http://charter.fullaudio.com or http://charterzone.charter.com.

About Charter Communications

Charter Communications(R), A Wired World Company™, is among the nation’s largest broadband communications companies, currently serving nearly 6.7 million customers in 40 states. Charter provides a full range of advanced broadband services to the home, including cable television on an advanced digital video programming platform marketed under the Charter Digital Cable(R) brand and high-speed Internet access via Charter Pipeline(R). Commercial high- speed data, video and Internet solutions are provided under the Charter Business Networks™. Advertising sales and production services are sold under the Charter Media™ brand. More information about Charter can be found at www.charter.com.

About FullAudio Corp.

FullAudio Corp. provides a platform and infrastructure that enables our channel partners to deliver digital media services, such as digital sampling, streaming, and music downloads. The company’s unique approach allows our partners to quickly expand their relationships with consumers by offering on- demand subscription services or short-term promotions. FullAudio’s platform and infrastructure makes it easy for channel partners to offer branded music services by incorporating the software and systems that cover every aspect of music content aggregation and delivery including: content acquisition and management; media storage and secure delivery; digital rights management; and a service infrastructure. FullAudio provides all of the back-office functionality, including billing, reporting and analysis, and usage analysis. Currently, FullAudio also offers its service through Clear Channel Communications, Earthlink, and Windows Media Player.

Founded in April 1999, FullAudio’s advisors and investors include top-tier venture capital firms and music industry experts. For more on the company, please visit FullAudio.

Blue Man Group & Virgin Entertainment Group Join Forces to Create a DVD 5.1 Surround Sound Listening Booth

Blue Man Group, in conjunction with Virgin Entertainment Group, North America has designed and created a revolutionary custom DVD booth that will showcase the 5.1 surround sound mix of their Grammy nominated, debut album, AUDIO.

The booth is 8 feet tall and 7 feet wide and resembles a giant PVC tube, like those Blue Man Group uses in their hit shows. The booth makes its debut in the Virgin Megastore, Las Vegas in the Caesar’s Forum Shops. Current plans are for the booth to remain in Las Vegas store for six months.

The booth will be unveiled Thursday, December 5, 2002 with a press event at 4:00 p.m. at the Virgin Megastore at Caesar’s Forum. The Blue Man Group will unveil the booth. An additional photo opportunity will be the Blue Man Group as the first to enter and enjoy its sound. Refreshments will be served and representatives from Blue Man Group Records and Virgin Entertainment Group will be available for interview.

The overall look of the booth parallels Blue Man’s world of tubes, black lights and modern art. Its design allows the listeners to experience the true thrill of DVD 5.1 surround sound technology from the “sweet spot” of the listening area — perfectly positioned in the middle of the booth where the listener can experience the sound and feel of every element of the recording.

The combination of the booth design and the sound system provided by Bose creates an intimate surround sound experience. Upon stepping into the booth, consumers will get a rare glimpse into the world of Blue Man Group. In addition to Blue Man Group’s surround sound mix of AUDIO, which has been on Soundscan’s DVD-A album chart for 81, a plasma TV screen will showcase slides from Blue Man Group’s Las Vegas show, Blue Man Group-Live At Luxor.

Blue Man Group:
Audio


Buy now at Amazon.com

Buy now at DVD Empire

Blue Man Group’s Audio was one of the first releases in the DVD-Audio format, and it remains a popular demonstration piece among DVD-A enthusiasts

The booth will mark the first custom artist listening experience in a major music retail store, a step that demonstrates Virgin Entertainment’s commitment to support artist initiatives and think outside the box of traditional retail promotions.

“We are very excited to work with Blue Man Group and present the true quality of DVD Audio in such an innovative way,” said Dave Alder, Senior Vice President, Product and Marketing, Virgin Entertainment Group, North America.

Seth Freed, General Manager of Blue Man Group Records adds, “We are thrilled that music fans will be able to experience 5.1 surround sound technology. It is such a cool way to listen to our music. It is really exciting to see a major retailer focus on non-traditional artists and a new technology.”

To celebrate the launch of the booth, Virgin Megastore, Las Vegas will be holding an “enter to win” contest that offers a pair of tickets to see Blue Man Group — Live At Luxor, and a copy of the AUDIO CD and the 5.1 surround sound mix.

For more information about the booth, please go to http://www.blueman.com/dvdbooth

About Virgin Entertainment Group

Virgin Entertainment Group is the world’s leading multi-channel music and entertainment retailer, providing customers with a range of superior entertainment experiences through a family of integrated Virgin-branded businesses. The “category killer” Virgin Megastores and Virgin Megastore Online at http://www.virginmega.com are integral parts of a strategy to provide entertainment customers with what they want, how they want it, and when they want it.

About Blue Man Group

Blue Man Group is dedicated to creating and developing exciting and innovative work in a variety of media. Blue Man Group’s theatrical productions feature three bald and blue characters that take the audience through a multi-sensory experience that combines theatre, percussive music, art, science and vaudeville into an incomparable form of entertainment.

For more information visit the Blue Man Group Web site.

Native Instruments Announces That TRAKTOR DJ STUDIO 2.0 is Now Shipping

With the introduction of version 2.0, Native Instruments professional DJ software TRAKTOR DJ STUDIO receives a major update and is now also available for Mac OS 9.2 and OS X.

TRAKTOR DJ STUDIO’s redesigned interface optimizes the user’s interaction and workflow. The functional layout inspired by classic DJ hardware guarantees a short learning curve for the experienced DJ. Advanced visualizations of essential mixing parameters such as the Offset Meter, the Spectral Waveform and the Graphical Filter Preview open new dimensions for mastering the mix.

Traktor DJ Studio’s excellent sound quality has been improved even more by integrating the advanced interpolation and filters known from the Native Instruments acclaimed Reaktor software and by licensing original Fraunhofer Institute MP3 decoding algorithms. Furthermore Traktor DJ Studio comes with a professional de-emphasis correction to emulate the characteristics of analog vinyl scratching. Combined with the generous pitch range of +/-100% the decks can be continuously brought down to full stop without noticeable digital aliasing.

Controlling Traktor DJ Studio has become as versatile as modern music software can be, using any kind of MIDI compatible controller, MIDI keyboard, computer keyboard, mouse, joystick or other input device. Traktor DJ Studio supports a large variety of input options that can be mapped to each of over 400 individual functions and actions of the software. The mixing process can be outsourced on stage to a classical DJ mixer and a professional soundcard or made internally via keyboard and mouse using the onboard sound, when on the move.

Traktor DJ Studio offers a powerful database with ultra fast Quick Search, scanning your track collection at a rate of more than 2.000 tracks per second. MP3 tags are automatically imported into the database and a versatile Tree View lets you navigate within your collection with unparalleled ease. Before loading a track it can be cued over headphones directly from the database. A variety of automatically generated icons identify enqueued, cued and played tracks in the collection, playlists and search results.

The cueing and looping features of the previous version have been considerably extended. Traktor DJ Studio now offers 10 saveable cue points plus 10 saveable loops. Cue points can be assigned to special actions such as triggering the opposite deck’s playback or defining a measure grid over the whole track. Loops of quantized lengths are set with one click and can be resized or moved in tempo accurate steps – even backwards and during playback – creating astonishing tempo synchronous effects.

Traktor DJ Studio 2.0 brings the most innovative tempo recognition on the market (patent pending). Automatic detected precise tempo estimations are guided by user-provided tapping events in cases of doubt. These precise tempo values and the revolutionary Snap-To-Beat function build the base of Traktor DJ Studio’s unique automatic beat synchronization (Syncro Start). A combination of well set cue points and stored BPM values allows you to mix a track into another with a few mouse clicks.

Traktor DJ Studio’s recording function offers a completely new approach to mix production. The arrangement takes place by creating a playlist and by mixing in realtime and not in sequencer-like views. To edit a recorded mix, parts of it can be overdubbed in single or in all parameters. The created Mixfile can be rendered to Wav or AIFF at high speed. The small size of a compressed Mixfile makes it the ideal tool for fast exchange via email between labels, artists and listeners. Traktor DJ Studio’s Automix function lets you listen to your music without the need for interaction, and can play your mix in the background while you work with other applications.

Traktor DJ Studio is powerful software for software-based DJ mixing of MP3, Wav, AIFF files and Audio CDs.

Traktor DJ Studio stretches the limits beyond limitations of conventional tools by opening completely new ways to visually control the mix, by offering powerful synching functions and unseen tempo accurate real time remixing features. Spot on instant beat matching , instant looping and instant track cueing by single mouse clicks and composing playlists from tracks and sub-playlists by drag and drop.

Traktor DJ Studio is the first DJ player ever to display a dual band representation of the track’s waveform, even directly from two tracks on the same Audio CD – in real time! The user can perceive beats, breaks and instrumentation ahead of time. Saved loops and cue points as well as the beat grid covering the entire track are graphically displayed. The waveform can be stopped and accurately cued like a record thanks to a authentic scratching emulation.

Traktor DJ Studio’s innovative tempo detection (patent pending) uses a powerful combination of reliable tempo recognition algorithms combined with optional additional user tapping for extremely fast and precise results in almost any musical genre.

Over 400 functions and actions of Traktor DJ Studio can be operated via MIDI controllers, MIDI keyboards, via mouse or via keyboard shortcuts. These possibilities combines the power of this software solution with the tactile control options of DJ hardware equipment. A mix can be recorded as automation file and subsequently individual parameters edited by simply overdubbing the action during mix playback. The finished mix can be exported into a single or into a set of separate Wav or AIFF-files.

Traktor DJ Studio fuses live mixing, remixing and mix production into a new entity.

Traktor DJ Studio 2.0 is now available at music retailers at recommended retail of $199 and Euro 199.

Registered users can now download the update for free, CLICK HERE

For more information please go to http://www.ni-traktor.com

Clive Davis Gives $5 Million to Tisch School of the Arts to Create a New Department of Recorded Music

NYU Alumnus Funds The First BFA Program Of Its Kind In The U.S.

New Department, To Be Named For The Legendary Music Executive, Will Focus On Record Producing As An Artistic Discipline And The Music Producer As Artist

Mary Schmidt Campbell, dean of the Tisch School of the Arts at New York University, and NYU alumnus Clive Davis, who is founder, Chairman and CEO of J Records, jointly announced today the record executive’s $5 million gift to the School for the creation of a new Department of Recorded Music. The formal announcement will take place on Friday, November 8, 2002, at an evening event held for high school juniors, seniors and their parents at the Equitable Center Auditorium in Manhattan. The program will include performances by both Monica and Mario, two major young artists who are signed with J Records.

The Clive Davis Department of Recorded Music is the first of its kind to offer a four-year, degree-granting undergraduate program that recognizes the creative producer as an artist in his own right and musical recording itself as a creative medium. In preparing young people, the Department will educate them in all aspects of contemporary recorded music.

“Clive Davis has acquired a legendary reputation for spotting and developing new musical talent in the course of his 35 years in the recording industry,” said Dr. Campbell. “His inspired leadership and golden ear have changed the business of contemporary music forever. We are grateful to have him as a partner in this initiative, which will cultivate in young minds Mr. Davis’s tradition of creative management, and in doing so, shape the music industry’s next generation of leading executives.”

“I am enormously proud to play a part in the creation of this new program, which will give ambitious and hard working young men and women the fundamentals and skills to serve as the foundation for success in the industry that I love,” commented Mr. Davis. I can think of no better place for such a program to reside than at the Tisch School of the Arts, the country’s greatest performing arts school, located in the performing arts capitol of the world.”

Clive Davis graduated Phi Beta Kappa from NYU with a B.A. magna cum laude in 1953 and from Harvard Law School in 1956. Successively head of Columbia Records, Arista, and most recently, J Records, Davis has signed and nurtured such performers as Janis Joplin; Blood, Sweat and Tears; Santana; Billy Joel; Bruce Springsteen; Aerosmith; Whitney Houston; Patti Smith; and Alicia Keys. He won a Lifetime Achievement Grammy Trustee Award in 2000 and was inducted into the Rock and Roll Hall of Fame in 2001.

“The creation of the Department of Recorded Music signifies that contemporary recorded music will be a new domain of knowledge, which will have a lasting impact on the consideration of sound recording itself as an art form,” added Dr. Campbell. “It will provide opportunities for students to master the range of disciplines and mediums that support recorded music in the culture and, using the example of the creative record producer, to have a career in the recorded music industry.”

Graduating students of the new Department will earn a B.F.A. The curriculum includes practicums in the recording studio where students are expected to become proficient in a range of recording studio practices. Students will be expected to construct a viable and coherent performance image for a selected creative artist within a number of promotional distribution mediums, including radio, film, music videos, and interactive technologies. In addition to practical work, students will study the cultural impact of recorded music and the history of a number of musical genres, including, but not limited to, Rock, Pop, Hip Hop, Jazz, Latin and World Music.

The installation of the Department of Recorded Music at the Tisch School follows in the tradition and history of the School for mapping new areas of study that integrate both the practical and critical approaches to the arts. For example, the School established the first Department of Cinema Studies at a university in the U.S. It founded the first Department of Performance Studies, and the School’s Graduate Musical Theater Writing Program is still the only department of its kind in the country. Moreover, the Interactive Telecommunications Program, the Tisch School’s pioneering graduate center of the study and design of new communication media forms and applications, was the first such department of its kind at an art school.

The Tisch School of the Arts, comprising the Performing Arts Institute, the Jack H. Skirball Center for New Media and Film and the Kanbar Institute of Film and Television, is one of the nation’s preeminent centers for professional training, scholarship, and research in the performing and cinematic arts. It offers both graduate and undergraduate degrees and draws students from around the world. Nearly 3,000 students pursue degrees in acting, dance, design, drama, musical theatre, performance studies, film and television, cinema studies, dramatic writing, photography and interactive telecommunications.