Archives for August 1996

Liquid Audio to Develop Internet Technology with Dolby

Redwood City, CA — Silicon Valley start-up Liquid Audio is teaming with industry leader Dolby Labs to deliver breakthrough technology for streaming audio on the Internet. The companies claim that the new technology, to be released this fall, will revolutionize the way music is heard, bought, and delivered over the Internet. Computing giant Intel is also a partner in the initiative, which promises to bring true CD-quality music to the Internet in a practical way.

Music is one of the biggest user interests represented on the Web today. But concerns of the music industry in responding to that interest, such as sound quality, copyright and copy protection, have been overlooked by existing technologies.

“While there are solutions for radio quality audio, and utilities for adding audio to multimedia content on the Internet, there are no solutions addressing the requirements of the music industry for delivering high-quality music on the Web. By teaming with Dolby, we will set a higher standard for music on the Internet,” stated Gerry Kearby, co-founder and president of Liquid Audio. “Liquid Audio will remove the barriers to music on the Internet, and provide unlimited access to vast libraries of music titles, while protecting the rights and integrity of the artist.”

Liquid Audio is teaming with Dolby Labs, Intel Corp. and online service provider N2K Inc. in an effort to promote its audio system as an industry standard. Such a standard, if successful, could play a crucial role in the continued development of Web-based music retailing services. The company’s strategy is to distribute its technology via Internet sites that serve as outlets for music sampling. For instance, N2K plans to incorporate the audio standard into its Jazz Central Station and Roctropolis Web sites.

“The Liquid Audio team has a long track record with Dolby for delivering the very highest quality solutions for digital audio and music,” stated Ed Schummer, vice president of licensing at Dolby Labs. “Our proven audio compression technology combined with Liquid Audio’s comprehensive solution for the Internet promises to revolutionize music delivery on the Web.”

The new technology will be scalable, allowing the same audio stream to be accessed by users at varying bandwidth, from 28.8 kbaud and up. “Our server and encoder technology is focused on the professional audio industry,” says Philip Wiser, V-P of Engineering for Liquid Audio. “For example, the encoder tool will integrate smoothly with the workflow of a recording studio environment, so the engineer can take a stereo master and master it out to the net.” The first release of the technology will run under the Windows 95 operating system. Support for other production platforms will be added through plug-ins to existing workstation systems already on the market.

Liquid Audio’s strategic relationships will ensure wide-spread awareness of the new standard among PC, Web and music enthusiasts. “We are excited about Liquid Audio’s efforts to bring high-quality music capability into the connected PC,” stated Avram C. Miller, vice president and director of corporate business development at Intel Corporation.

In addition to securing major support from the audio and computer industries, Liquid Audio has made significant impressions on recording industry artists and insiders. “Delivering music over the Net opens up incredible possibilities. Until now, the sound has been terrible. The new technology of Liquid Audio is a vast improvement. Liquid Audio is also building in software to deal with copyright protection.” stated Jerry Harrison, formerly of Talking Heads and more recently producer of Live, Crash Test Dummies, and the BoDeans.

Liquid Audio was founded in January 1996 by an experienced management and engineering team comprised of veterans from the professional audio, music production, multimedia software and venture capital industries. The core team worked together to develop and build a leading company in the digital audio workstation market (Studer-Editech Dyaxis). Members of the company’s Advisory Board include senior executives and founders of prominent technology companies as well as highly-placed music industry professionals. The company is venture-funded, its lead investor is Hummer Winblad Venture Partners.

Amek’s New Rembrandt Console Ships to Major Studios

North Hollywood, CA — U.K. console manufacturer Amek recently introduced its newest music and post-production console, the Rembrandt. Already, the Rembrandt is making inroads at major recording studios in the U.S.

Amek U.S. today announced that the latest order is from Atlantic Records in New York. Atlantic is due to install their new Rembrandt next week. The console is already in service at Acme Recording in Chicago, and Sunrise in Houston. A fourth unit is due for installation soon at CFA Studios in Los Angeles.

The Rembrandt was introduced in July. It is available in 40- or 56-input frame sizes with onboard or external patchbay. It features a dual-path architecture providing 80 or 112 inputs for mixdown, each with identical four-band parametric EQ. In addition to 24 output buses, the Rembrandt offers 16 auxiliary sends and direct outs from each module. Mic preamp circuitry is similar to that on Amek’s Angela console and features discrete arrays of transistors.

Amek’s SuperTrue automation is an integral part of the Rembrandt. Now running on Pentium-based computer, SuperTrue provides real-time automation of VCA faders, mutes, and various channel switches. The automation system also allows various global console functions, such as Direct output mode, to be programmed by the user. Subprograms included with SuperTrue offer features such as recall, virtual dynamics, and visual effects.

U.S. pricing for the Rembrandt ranges from $114,352 for a 40-channel model to $146,895 for a 56-input board.

Altec Lansing’s New Web Site Features “Interactive Sound Theater”

Milford, PA — Altec Lansing Technologies, Inc. has launched what they are describing as the first Interactive Sound Theater for the Internet. This location at the new Altec Lansing web site allows visitors to experiment with audio in various locations within a virtual home theater setting.

Altec Lansing has developed the site to provide visitors the opportunity to experience a variety of Altec Lansing products for the first time over the Internet. On the interactive site, visitors can choose particular products within a virtual theater and then witness the theater’s multimedia sounds and sites.

“We are delighted to be at the forefront in bringing advanced audio to the World Wide Web,” commented Edward Anchel, president and CEO of Altec Lansing.

www.altecmm.com features RealAudio® streaming audio, which allows for lengthy audio clips and shortened download time for visitors. Neographic, Inc., the New York City-based firm which developed the site with Altec Lansing, incorporated JavaScript features that allow users to choose audio selections from different sections repeatedly, without having to re-load each page.

Animations are featured (in animated GIF format), making the Altec Lansing location one of the first audio sites on the web to embrace this entertainment-oriented technology. Product information goes well-beyond what is available in a conventional catalogue and users can access product information from a variety of different fields. Press releases and other product and technology updates are regularly posted as well. Interactive features include online registration forms that allow consumers to register purchases conveniently via the Internet.

The Altec Lansing web site is expected to be a popular new location on the World Wide Web. In previewing the site, Timecast (the official RealAudio review) noted, “Many computer companies showcase their products on Web sites, but few do as good a job as Altec Lansing Technologies. Its Interactive Sound Theater invites visitors to explore a rich visual and audio world that showcases the company’s audio products. This site is clearly in the vanguard of organizations that use the Web as an alternative to traditional marketing methods.”

Progressive Networks Ships RealAudio Player Plus

New Audio Plug-In Brings Push-Button Convenience to Audio Surfing

Seattle, WA. Progressive Networks today (August 19) launched RealAudio Player Plus. Player Plus is an enhanced version of the free RealAudio Player that makes accessing audio on the Internet as simple as tuning a car radio, with pre-set and scan buttons.

Player Plus is a browser helper or “Plug-In,” compatible with Netscape Navigator 2.0 or later, and Microsoft Internet Explorer 3.0 or later, as well as about a dozen other web browsers. It will carry a Suggest Storyed retail price of $29.99. The product will be available for online purchase immediately at Progressive’s web site. It will also be available on retail shelves by the end of September.

“With thousand of hours of live and pre-recorded programming events broadcast in RealAudio each week on the Internet, the ability to access, organize and personalize usage has become essential,” said Rob Glaser, chairman and CEO of Progressive Networks. “The RealAudio Player Plus provides users with the most efficient way to locate, manage and instantly access RealAudio content worldwide.”

The big news for professionals producing material for RealAudio streaming on the net is the Selective Record feature. This feature allows users to listen to audio programs off-line by saving selected audio content locally to their hard disk, even if they are away from their computer. However, this option is available only if the audio producer designates the material as recordable by selecting a new encryption feature in the latest generation of RealAudio encoders. This is intended to protect the rights of copyright holders. The new encoders are not yet generally available.

Other enhancements of existing RealAudio technology introduced with Player Plus include:

  • Pre-set Buttons: Enables listeners to quickly reach their favorite RealAudio sites with easy one-button access.
  • Scanning: Allows users to surf hundreds of different live radio stations over the Internet without waiting for Web pages to download graphics.
  • Timecast Integration: Allows users to receive customized multimedia news, information and entertainment over the Internet. Individual users’ audio preferences are sent to Progressive Networks’ Timecast Web site, which intelligently selects and delivers live and pre-recorded audio programs tailored to each user.
  • Perfect Play: will allow 14.4 users the ability to listen to higher quality 28.8 RealAudio sound with the next upgrade of RealAudio.

Included with the RealAudio Player Plus package are copies of both Netscape Navigator 2.0 and Internet Explorer 3.0, over $100 of Internet audio essentials and one month of free unlimited connection time through Netcom and SpryNet. Discount offers are included from prominent RealAudio delivery sites including ESPNet SportsZone, SportsLine, CDNow, 1-800 Music Now, Taylor Subscription Talk, and Wired Magazine. There is also an offer for satellite speakers by Altec Lansing.

Retail distribution and sales for the RealAudio Player Plus is being handled by Broderbund as the result of an affiliate label agreement. Broderbund will handle distribution and sales for all RealAudio retail products in North America.

Progressive Networks will continue to offer the basic RealAudio Player for free from their site.

Weiss Introduces New Digital EQ

Weiss Engineering has announced that their new Gambit series digital equalizer, the EQ1, will be available this month. The EQ1 is a seven band, digital audio equalizer priced at less than $4,500 US. It is distributed in the U.S. by G Prime Ltd.

According to Weiss Engineering, this is the first product that brings the power of a professional mastering equalizer to a wide cross section of the audio market.

“We set out to create an affordable, user friendly and, above all, very good sounding digital EQ. We put all of our accumulated engineering experience, together with the insight gained through nearly ten years of customer feedback, into the design of this equalizer. I think we’ve been successful in achieving breakthroughs in both price and sonic performance,” says Daniel Weiss.

Weiss Engineering introduced the world’s first digital audio equalizer in the late 1980’s. The company claims that more pop and classical CD’s are mastered on the Weiss 102 system today than on any other digital system. Weiss introduced the Gambit Series of stand alone products in 1993 to make its digital technology available to a broader market.

The Gambit Series EQ1 is being positioned as an ideal companion for computer-based audio work stations. It is a seven band parametric equalizer with dedicated controls for each band. Each band has boost/cut, frequency and Q/slope knobs. The knobs are touch sensitive. The LCD display shows the overall equalization curve and the detailed parameters of the “touched” band. The digital audio input and output are standard AES 3 format. A serial port allows control from a PC or MIDI device. The EQ1 has its own event list management system which is accessed using the LCD display and function buttons on the front panel.